3 UMMA Objects
Sort by

This painting on a hanging scroll depicts a man, a crane, and a tree. The crane is to the bottom left of the painting with the man standing above it slightly to the right. A tree stands leaning to the left in the background and appears to have some flowering buds. The crane looks up to the man while the man looks up to the tree. There is an inscription above the man followed by a red seal. 
Nagasawa Rosetsu
Man with Crane
1780 – 1799
Gift of John J. Schloss
2000/2.150
In this hanging scroll, Rosetsu depicts an owl perched on a rock in front of a large moon hanging low in the sky. The soft washes and quick brushstrokes used in the image create an overall sense of airiness, but maintain a clear sense of naturalism in depicting the owl's anatomy. 
Nagasawa Rosetsu
Owl and Moon
1780 – 1799
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1968/2.24
&quot;Rosetsu uses the wisteria tree to frame the painting and to create two separate planes, the foreground and the background. While doing this, he does not paint a very prominent background, thus making the foreground landscape more important and the focal point of the painting...The sinewy shape of the wisteria dominates the painting. There appear to be two separate trunks rooted to a small sliver of land pictured at the left side of the image. These trunks merge into one stem, forming a curve that snugly holds the monkey&rsquo;s body. The branch continues upward, disappearing at one point until it reappears, winding around the right side of the painting. Rosetsu uses a dark ink to create the trunk and branches of the wisteria, and there does not appear to be any indication of shading or altering the color to appear lighter. This darkening is especially noticeable compared to the stark, white flowers at the top of the painting. Their stems are soft and wispy, as if they are floating in the air.&quot;<br /
Nagasawa Rosetsu
Monkey Seated on a Wisteria Branch
1770 – 1780
Museum purchase made possible by the Friends of the Museum of Art
1986/1.166
Loading…