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Between and Mortarboard

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<em>&quot;Lonely Fisherman at Autumn River</em>&nbsp;is oriented horizontally to provide the breadth of the river and emphasizes the softness of the mountains&rsquo; width as opposed to an imposing verticality...The main visual cue of the season in the piece is the seasonal poem of autumn, followed to the left by Itsuun&rsquo;s signature and seal in red in the upper right-hand corner.&nbsp; A more subtle suggestion of autumn are the birds in a migratory formation just above the surface of the lake...&nbsp;The only separation between the sky and the river in the painting is the tall tree just to the right of the center of the painting that provides a focal point, but even then, the void of the water&rsquo;s surface leaks into the edge of the mountain, and even lies within the outlines of the village...&quot;<br /> <br /> Nakamura, Chris. &ldquo;Lonely Fisherman at Autumn River.&rdquo;&nbsp;<i>Japanese Landscapes</i>, 18 Dec. 2009, japaneselandscape.wordpress.com/literati/literati-prints/lonely-fisherman-at-a
Kinoshita Itsuun
Lonely Fisherman at Autumn River
1852 – 1949
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/2.246
Gold cloth scroll with an image of a mountain landscape with villagers on a body of water.
Kinoshita Itsuun
Landscape Mountains with Trees and Pagodas
1833 – 1866
Gift of the Estate of Betty I. Monroe, PhD
2014/2.254
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