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The &quot;painting&nbsp;richly&nbsp;evokes&nbsp;a&nbsp;darkly&nbsp;overcast&nbsp;day&nbsp;with&nbsp;a&nbsp;rider wearing&nbsp;a&nbsp;straw&nbsp;raincoat&nbsp;accompanied&nbsp;by&nbsp;a&nbsp;man&nbsp;on&nbsp;foot carrying&nbsp;luggage.&nbsp;The&nbsp;horse&nbsp;seems&nbsp;delighted&nbsp;as&nbsp;its&nbsp;hooves sink &nbsp;into&nbsp;the&nbsp;thick&nbsp;snow&nbsp;on&nbsp;the&nbsp;path.&nbsp;Large&nbsp;daubs&nbsp;of&nbsp;white&nbsp;pigment&nbsp;are&nbsp;used&nbsp;to&nbsp;represent&nbsp;the&nbsp;falling&nbsp;snow&nbsp;called&nbsp;<em>botan</em><em> </em><em>yuki&quot;</em><br /> <br /> <b id="docs-internal-guid-ecb68b88-7fff-cddd-9168-660eb3400d03">Adams, Celeste, and Paul Berry. <em>Heart, Mountains, and Human Ways: Japanese Landscape and Figure Painting: a Loan Exhibition from the University of Michigan Museum of Art.</em> Museum of Fine Arts, 1983.</b><br /> &nbsp;
Ki Baitei
Winter Rider
1733 – 1832
Museum Purchase
1973/2.76
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