5 UMMA Objects
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In the bottom right corner of the painting, there are two buildings placed at the bottom of a hill that has plants growing on it. Next to them is a small cluster of trees, close enough where their trunks are visible. In the distance, there are more trees running across the painting, however, only the foliage is visible. The leaves on these trees stand out because each individual leaf is inked. There is another small cluster of buildings on the far left of the painting behind these trees. Further in the distance are mountains.
Hine Taizan
Landscape after Shen Zhou (Chinese artist, 1427-1509)
1849
Museum Purchase
1962/1.106
A lone pavilion sits among trees in the foreground.  Birds flock nearby, and in the background are more trees and rocky formations.  Calligraphic texts in in the upper right corner.
Hine Taizan
Landscape in Ni Tsan Style
1867
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/2.247
Purple cloth background with a scene of a mountain. The top of the mountain is on the right side.
Hine Taizan
Cold Light and Snowy Mountains
1868
Gift of the Estate of Betty I. Monroe, PhD
2014/2.249
This painting shows an Autumn mountain landscape with a large river. The mountains that take up most of the painting are dotted with red-leafed trees and are slightly obscured by clouds or fog. There is a path that starts from the left and makes its way across the painting until the continuation is lost in the middle. Underneath the mountain range is a large light blue river. There is a three-lined horizontal inscription on the upper left with the top line being the longest and the bottom line as the shortest. There are two red seals placed vertically in line on the left of the inscription.
Hine Taizan
Autumn Mountain Landscape
1840 – 1869
Gift of Helmut Stern
2003/1.395
In the background, there are tall mountains with smaller hills and trees in front. There are also two buildings that are partially hidden behind one of the hills. In the upper right corner, there is s seal and signature of the artist.
Hine Taizan
Landscape in the Mi Style
1833 – 1866
Museum purchase made possible by a gift from Helmut Stern
1985/2.22
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