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Results for terms:window boxes

8 UMMA Objects (page 1/1)
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This work shows an exterior view of a window; inside the window are flowers and a poster portraying a portrait of a man.
Walker Evans (American (North American))
Flowers and Poster of Herbert Hoover in House Window, Wellfleet, Massachusetts
1929
Gift of Maxine and Lawrence K. Snider
2014/2.261

Robert Doisneau
Les Concierges Rue du Dragon, from "Portfolio of 11 Photographs"
late 1940s - late 1970s
Gift of Carl W. Melcher
1981/2.167.10
A partial view of a four-story building, concentrating on pairs of windows on each story and a wrought iron fence on the ground level. Windows have window boxes or balconies; on the ground level are several dogs on either side and a pair of milk cans at the center in front of the fence.
James Abbott McNeill Whistler (American (North American))
Rue de Vannes, Paris
1892 – 1893
Bequest of Margaret Watson Parker
1954/1.410

Robert Doisneau
Les Géants du Nord, from "Portfolio of 11 Photographs"
1951 – 1979
Gift of Carl W. Melcher
1981/2.167.5
Line drawing in felt tip marker on ivory ~ 10x13” paper.
Mark Kostabi (American (North American))
Progress of Beauty 1
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.241
In this print, a woman hikes up her robes while carrying a box in one hand and a rolled up mat under her arm.  She looks back over her shoulder.  A cloth hanging in the background behind her fades from red into blue, and its bottom rests on a red floor.  The cloth is decorated with white Chinese characters on the left and a geometric shape on the right.  There is black calligraphy above the woman's left shoulder.<br /><br />
Inscription: Mizuchaya oden Iwai Tojaku (Title); Yamaguchi Tōbei (Publisher's seal); Kiwame (Censor's seal); Kunisada ga (Artist's signature)
Utagawa Kunisada (Japanese (culture or style))
Tribute Fans of the Energetic Genji: Iwai Tojaku (Iwai Hanshirō V) as the Tea Shop Proprietress Mizuchaya Oben
1836
Gift of Dr. James Hayes
2003/1.439
Line drawing in felt tip marker on ivory ~ 10x13&rdquo; paper with shading. Woman&rsquo;s arm and dress filled in completely with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman&rsquo;s head and shoulder covering and bodice, and cash register have been modeled in stylized &ldquo;half tone&rdquo; of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears splotches of black ink that were possibly made by blowing air on wet ink through a straw. The map has been filled in with ink drips and splatters.
Mark Kostabi (American (North American))
Progress of Beauty 2
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.238
Line drawing in felt tip marker on ivory ~ 10x13&rdquo; paper with shading. Woman&rsquo;s arm and dress and the cash register are partially filled in with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman&rsquo;s head and shoulder covering and bodice, and cash register have been modeled in stylized &ldquo;half tone&rdquo; of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears a &ldquo;pattern&rdquo; of crosses and eye-shaped forms. The map has been filled in with fingerprints.
Mark Kostabi (American (North American))
Progress of Beauty 3
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.239
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