11 UMMA Objects
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Moroccan (Moroccan)
Textile
19th century
Museum Purchase
1930.46
Dark green with multiple types of stripes in off-white.
Japanese (Japanese (culture or style))
Tie
20th century
Gift of Howard and Patricia Yamaguchi
2013/2.472
Black dochugi raincoat with michiyuki style neckline and buttons down the front.
Japanese (Japanese (culture or style))
Black silk Dochugi kimono raincoat
1960 – 1970
Gift of Howard and Patricia Yamaguchi
2005/1.404
White silk crepe (repp weave) unlined summer kimono with green shibori (tie-dyed) pattern of vertical stripes and maybe wax-resisted cloud design.  Vertical lines look a bit like wood-grain.
Japanese (Japanese (culture or style))
Green summer crested kimono with shibori (tie-dyed) pattern of vertical stripes and maybe wax-resisted cloud designs
1980s
Gift of Howard and Patricia Yamaguchi
2005/1.387
A black, brown and white striped horse in the motion of running. The background is brown with white and orange circles.
Nakayama Tadashi
Untitled [Zebra] or horse
1958
Bequest of Alva Gordon Sink
1998/2.22
<p>mottled blue and brown tsumugi komon kimono with vertical faded green and maroon stripes with a white inner lining</p>
Japanese (Japanese (culture or style))
Kimono
1925 – 1999
Gift of Mrs. Kazuko Miyake
2016/2.33
This is a square painting with skinny vertical lines of green on a background of red. There are two square forms in the center, each with a diagonal line from the upper left to lower right corners. One square is created by a pinkish, purple line and the other is created by a reddish orange line.
Julian Stanczak (American (North American))
Shift, Orange and Green
1991
Gift of Mr. and Mrs. Julian Stanczak
2009/2.12
Square composition with large gray area and the remaining area has a series of curvilinear, multi-colored stripes. The largest stripes are yellow and straight- one runs from the lower left corner and tapers off in the upper right corner of the square; the other runs from the upper left corner and tapers off in the lower right corner. The other stripes, in shades of orange, red, blue and purple, radiate from the yellow stripes like the spokes of a fan.
Herbert Bayer (Austrian)
Untitled
1968
Gift of Dr. Seymour and Barbara K. Adelson
2009/2.7
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi (British (modern))
Horizon of Expectations
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3
Image of a young boy clutching a copy of <em>Camera Work</em> in his left arm. He stands in a doorway and looks out of frame.
Clarence H. White (American (North American))
Boy with Camera Work
1903 – 1905
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.142.4
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Frank Stella (American (North American))
Untitled, from "Ten Works + Ten Painters"
1964
Gift of Graham and Marianne Smith
1986/1.194.2
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