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Between and Mortarboard


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Results for terms:street lighting units

7 UMMA Objects (page 1/1)
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This watercolor on brown prepared board is vertically oriented. The piece<br />
is reputedly a view of a Parisian street (perhaps in the 8th arrondissement), and the perspective is as if the viewer is on the fourth floor of an adjacent<br />
building. The upper two-thirds of the piece show a building-lined street,<br />
curving gently to the left. The buildings are about six stories tall, and<br />
additional rooftops are barely visible in the distance. On the ground<br />
floor of the buildings, there are traces of people, shops, and cafés. In<br />
the bottom third of the work, the road dissolves, but forms suggesting a<br />
few people populate the space.
James Abbott McNeill Whistler (American (North American))
Street Scene, Paris [Rue Laffitte (?) ]
1883 – 1885
Bequest of Margaret Watson Parker
1955/1.91
This photograph depicts a view of a snowy street at night.  Meandering in opposites directions, a man and woman are walking their dogs.
Alen MacWeeney (New Ireland)
Nightwalkers, Dublin, Ireland
1965 – 1966
Gift of Carl W. Melcher
1981/2.168.6
Crowd of people on a city street looking up at the sky.
Eugène Atget (French (culture or style))
Eclipse
1911 – 1974
Museum Purchase
1974/1.108
This photograph shows the façade of a brick building on a street corner.
Walker Evans (American (North American))
Brick Building on Corner of James Slip and Water Street, New York City
1933 – 1934
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
1990/2.51
Elevated and angled view down Fifth Avenue from the St. Regis Hotel in New York City.
Alvin Langdon Coburn (British (modern))
Fifth Avenue, from the St. Regis
1910
Museum Purchase
1972/1.167
This photograph depicts a parked car on the side of a snowy road with a painted mural of a sunset or sunrise on the wall beyond.
Greg Reeder
Untitled
1974
Museum Purchase
1977/1.158
This is a brightly colored oil painting of a street scene. Buildings are depicted in pink, yellow, and white.  A lavender and blue sky with white and yellow clouds makes up the background. Two women stand in the lower left corner; another woman and a black dog are seen on the right side. The ground is made up of patches of white, yellow, pink, and blue.  Thick black outlines are used throughout and the paint has been applied in a very thick and factured manner. Traces of newspaper appear to have been laid on the painting while it was still wet and became stuck and are visible in the clouds at the top and in the white portion of the central building, just under the street lamp.
Beauford Delaney (American (North American))
Street Scene
1951
Gift of Dr. James and Vivian Curtis
1997/1.529
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