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Between and Mortarboard

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9 UMMA Objects
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There are three ducks in the water. The first is facing forward and is sitting in the water with its feet completely submerged. The second is behind the first but is a little higher in the water and is pecking at its feathers. The third is the furthest behind and is standing in the water with its legs fully visible but its feet submerged, it is also pecking at its feathers. There are two signatures and two seals on the right side of the painting.
Nishiyama Kan'ei
Ducks
1884
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.198
On this hanging scroll, there is a single stem of bamboo, it's darker at the bottom and then fades as it reaches the top. Surrounding the stem are a few leaves. The border of the paper is solid brown. To the bottom left of the stem is a signature and seal of the artist.
Hanabusa Itchō
Bamboo
1700 – 1732
Gift of Mr. Max Loehr
1958/2.40
The lower section of the fan has rocks and grasses with mushrooms and several daffodils in bloom. A bird white bird with black face and blue head sits on a thin branch that is coming down from the upper left section of the fan. 
Giuseppe Castiglione (Italian (culture or style))
Bird on a Bamboo Branch
1731 – 1771
Gift of Mr. Alfred L. Aydelott
1969/2.167
A plump sparrow is perching on a bamboo branch, which is bending from the main branch on the left side of the painting. The bamboo has young and mature leaves. The background is left as blank. The mounting is made of creamy silk brocade with blue green silk brocade strips. Brown brocade pieces are pasted on the top and the bottom of the mounting. There is a seal in red ink on the left corner. Wrinkles on the top and right lower side of the bid; some smaller worm holes and one large hole underneath the bird, but all repaired.
Kanō Gyokuraku
Sparrow on a Bamboo Branch
1550 – 1599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1968/2.54

Chinese (Chinese (culture or style))
Qianlong era official seal
1736 – 1795
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1974/1.96

Pierre Alechinsky (Belgian (modern))
Lease
1970 – 1971
Gift of the Marvin Felheim Collection
1983/1.328.2
Landscape painting on a blue/purple cloth backing. Signature and title in upper right corner. Seal also located in lower left corner. Colors are faded and sparse. A small building is visible in the middle of the painting, and a bridge hidden amongst the trees is further down on the painting.
Uragami Shunkin
Mountain Landscape in Autumn
1843
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1966/2.29
A handwritten certificate in calligraphy on a square piece of paper. On one side there is writing on the right side of the paper. On the reverse side, there is writing in the middle of the paper with a stamp on the bottom left corner of the paper.
Seto Shinbei
Certificate of Authenticity for Seto ware tea caddy "Hitorine," named by Kobori Enshû (1579–1647)
1600 – 1647
Bequest of Margaret Watson Parker
1954/1.532G
A handwritten certificate in calligraphy on a square piece of paper. On one side there is writing in the middle of the paper. On the reverse side, there is writing in the middle of the paper with a stamp on the bottom left corner of the paper.
Seto Shinbei
Certificate of Authenticity for Seto ware tea caddy "Hitorine," named by Kobori Enshû (1579–1647)
1600 – 1647
Bequest of Margaret Watson Parker
1954/1.532H
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