82 UMMA Objects
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A print entirely in yellow, with hand drawn grid lines. On the grid lines, various measurements and marks have been made.<br /><br />
EC 2017
Alex Hay (American (North American))
Untitled, from "The New York Collection for Stockholm: 30 Artists"
1973
Gift of Mr. Robert Rauschenberg
1976/2.114
Portrait of Hollywood actress Marilyn Monroe.
Andy Warhol (American (North American))
Marilyn
1967
Gift of Frances and Sydney Lewis
1969/1.84
Portrait of Hollywood actress Marilyn Monroe.
Andy Warhol (American (North American))
Marilyn
1967
Gift of Frances and Sydney Lewis
1969/1.86
This square screenprint is a color study in green and blue. There are three squares all nestled within eachother, green, turquoise and blue.
Josef Albers (American (North American))
3 square blue/green #121/125
1969
Gift of Dr. Seymour and Barbara K. Adelson
2012/2.3
This square screenprint has three squares in red. They are all nestled within each other, with the lightest red on the outside, becoming darker towards the smallest square.
Josef Albers (American (North American))
EK Ik
1970
Gift of Dr. Seymour and Barbara K. Adelson
2012/2.5
Near dusk, a woman in a kimono walks outside a Japanese style building with a shoji screen for a wall. The silhouettes of merry-makers inside can be seen, revealing the figure of a man and also a woman, probably a geisha, holding an instrument that appears to be a shamisen.
Takahashi Hiroaki
Evening in Tokyo: Figures in Silhouette behind a Shoji screen
1900 – 1921
Gift of Millard Pryor in Memory of Mary S. Pryor
1991/2.110
Bird made up of geometric shapes and designs in bright blue and red colors on green-yellow ground. 
Enric Climent Palahi (Spanish (culture or style))
Bird
1939 – 1958
Museum Purchase
1958/1.119
The majority of this print is solid black but on the right, there is a sliver of bright pink in the shape of a triangle. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Curtains drawn back from balconies of shores
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.21
This screenprint has a simple, graphic image of a folded piece of paper on a table. The folded paper outline with dark black lines and colored in a beige color. The table is similarly outlined and is colored white. The background is a bright red color. The print is inscribed by the artist in pencil (l.r.).
Patrick Caulfield (British (modern))
Watch me eat, without appetite, à la carte
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.2
This print is almost entirely solid black. At the top center, there are two planes of color, shades of blue, separated by a thick black line. This creates an image resembling an opened curtain, looking out a window from a dark room. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
And, with my eyes bolting toward the unconscious
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.12
This print has two series of thick black parallel lines that form a zig-zag pattern and connect out to a series of spheres, resembling a wall-mounted coat rack. There are two lines of spheres; the three on the top are light purple and the three on the bottom are dark purple. The background and the structure created by the parallel lines is in a dark purple. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh! if one of Them, some fine evening, would try
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.10
This print consists of a series of horizontal bands that are made up of a variety of patterns, from grids to dots. The colors used are black, dark and light orange, yellow, pink, tan, white, blue, and red. At the base of the print, there is text in tan that reads: "The theory of relativity, may certainly be a true description of the facts concerned, even though the theory a theory which took such liberties fully, with the help of what is nothing but a host of metaphors taken from the languages of physics, of biology, and of social life, works out / their categorical structure, and only recasts what has formed concentric circles, surrounded by smaller orbs of the same space; then again a vertical band filled with horizontal strokes; and lastly, two vertical bands of concentric circles". The print is signed and numbered (l.r.) "Eduardo Paolozzi A.P 7".
Sir Eduardo Paolozzi (British (modern))
Theory of Relativity
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.9
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