4 UMMA Objects
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The wood handle of this sword is wrapped in metal wire and embellished with a design of two stacked discs. The cutting edge of the sword runs along the length of one side. The cutting edge is made up of three half circles with the last and largest half circle forming a large, pointed hook. 
Ngombe (Ngombe)
Execution Sword
20th century
Gift of Susan B. and John F. Ullrich
Carved mask with an elongated, protruding nose that extends to the bottom of the mask. The mouth is open with articulated teeth.
Baulé (Baule (culture))
Monkey Mask
20th century
Gift of Michael and Phyllis Courlander
The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].
Joseph Buzot
Mantel clock with a priestess and Cupid offering a sacriffice to Venus
1775 – 1785
Museum purchase made possible by the W. Hawkins Ferry Fund
Centered on the page of this print are two figures. They are dressed in white shirts, with red capes over their left sholders and matching pants, both trimmed in blue. Both figures are also wearing red cone-shaped headdresses that have a large circular decoration attached with red and blue concentric circles. Both figures are faceless and have black hair. The figures hold black round objects. They are depicted in movement.
Carlos Mérida (Guatemalan)
Danza de los Quetzales
1937 – 1939
Museum Purchase