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Between and Mortarboard


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Results for terms:rural areas

32 UMMA Objects (page 1/3)
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Thomas Moran
A Country Road
1858 – 1862
Gift of Carl Fredric Clarke
1949/1.121

View in the Campana
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.147

Eugène Boudin (French (culture or style))
Farmer with Cows (Le Berger et ses Vaches)
1824 – 1898
Gift of Gilbert M. Frimet
1983/2.229

Emile Aubert Lessore
View of a Farmyard
1805 – 1876
Gift of the Friends of the Museum of Art in memory of Elizabeth Gregg Patterson
1981/2.192
This painting features a landscape consisting of a grassy meadow with leafy green trees, accompanied by a blue sky punctuated by clouds.  Wooded areas surround the verdant clearing where two women, one standing and the other sitting, are located.  Across from the figures, to their right, is a brown cow.  The recto of the painting is signed "Corot" on the lower left.
Untitled (Landscape)
19th century
Bequest from the Estate and Trust of Elise Reeder Olton
2014/1.612

Thomas Nason
A Bucks County Farmhouse
1937
Gift of Mr. and Mrs. Colton Storm
1949/1.139
In this print, three figures in a row boat approach a flooded store.
Thomas Hart Benton (American (North American))
Investigation
1937
Gift of Gilbert M. Frimet
2008/2.355
Photograph of a town showing houses and an agricultural landscape, as well as some inhabitants.
André Kertész (American (North American))
Budafok
1919
Gift of Mr. & Mrs. Edward M. Strauss
1985/1.125.10
A photograph of a white house behind a tree trunk.
George A. Tice (American (North American))
Tree and Meeting House
1965
Gift of Dr. Clayton Lewis through the Friends of the Museum of Art
1971/2.130

Kurt Badt
Landscape
1926
Gift of Marvin Eisenberg in memory of Guy Palazzola, who taught me so much about how painters paint
2008/2.310

Bernard Schardt
Farm Yard
1938
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.118
A country scene with swirls of color all around. There are two distant reddish-colored buildings ibehind a fence that runs along the left side of the dirt path, which recedes to a vanishing point at the center of the work. Trees line the right-hand side of the dirth path. Two people in the lower right corner appear to be working; one stands straight, while the other bends over.
Alfred Sisley (French (culture or style))
Le Givre a Veneux
1880
Bequest from the Estate and Trust of Elise Reeder Olton;Gift of the Estate of Elise Reeder Olton (LSA '38, SMTD '39), 2014/1.618
2014/1.618
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