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Between and Mortarboard

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34 UMMA Objects
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This woodblock print depicts four men huddled in a circle in the foreground and another with his hands behind his head in the background. 
José Ortega (Spanish (culture or style))
La Barba
1952 – 1953
Museum Purchase
1954/1.60
This woodblock print depicts a man clasping his hands in a prayer like gesture. His gaze is directed downward and towards his left. In front of him is a table with a wine glass and a sheet of paper. The print is signed (l.c.) "8 Pepe Ortega" in pencil.
José Ortega (Spanish (culture or style))
El hombre bueno
1952 – 1953
Museum Purchase
1954/1.64
This woodblock print depicts a man leaning over to gather up another figure lying contorted on the ground. There is a cross or a star by the squatting man's head. The print is signed (l.c.) "10 Pepe Ortega" in pencil.
José Ortega (Spanish (culture or style))
El enterrador
1952 – 1953
Museum Purchase
1954/1.66
A prisoner in uniform with his hands cuffed and in front of him against a wood paneled wall. There is a man in a suit and glasses standing next to him.
Danny Lyon (American (North American))
Condemned Man, from "Conversations with the Dead"
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.351
Two prisoners in uniform sitting on a wooden bench. Their legs are crossed and they are both looking to the right.
Danny Lyon (American (North American))
Two Convicts, from "Conversations with the Dead"
1968 – 2011
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.355
A group of prisoners in a room relaxing. Some look like they are watching television, others are talking and some are just sitting.
Danny Lyon (American (North American))
Day Room, from "Conversations with the Dead"
1968 – 2011
Gift of Thomas Wilson '79 and Jill Garling '80
2014/2.359
A man clothed in pants, shoes, and a long-sleeved shirt sits at a small table with his hands folded. Part of a loaf of bread sits on the upper left corner of the table. The man is in a small room with a small, square, barred window high on the wall behind him. There is a toilet without a lid behind him to his left.
George Grosz (German (culture or style))
In Prison
1918
Gift of Herbert Barrows
2000/2.224
This woodblock print depicts a white bird between a black area on the left and top right and orange bottom right. There is something like a cross in the upper right corner and an eye. The name Jose Ortega appears in the top left and "Grabados en madera" (woodcuts) in the lower right. 
José Ortega (Spanish (culture or style))
No es verdad
1952 – 1953
1954/1.57A
This woodblock print depicts a man in trousers and a jacket compacted into the space of the print. The man is kneeling on his left knee while his right foot is raised and pushed up against a surface on the left of the image. Both of his arms are raised, with the left jutting out towards the viewer and the palm of his hand is fully visible. The numbered and print is signed (l.c.) "3 Pepe Ortega" in pencil.
José Ortega (Spanish (culture or style))
El bache
1952 – 1953
Museum Purchase
1954/1.59
A menage of female figures lie entangled together, painted in many different colors. Certain body parts appear identifiable and are emphasized with bleeding lines. In the background appears straight-lined brush strokes emoting a fence or barricade much like one would see within a concentration camp. Beneath the watery brushstrokes are thin, precise lines.
Eduard Bargheer
Holocaust 6
1947
Museum Purchase
1948/2.1
This woodblock print depicts a standing man with his right hand over his chest and his left hand outstretched, holding a dead bird. A second man stands behind him but is eclipsed by the first except for a bit of his face and the gun he holds which protrudes toward the right. There is a live bird on the ground. The print is signed (l.c.) "9 Pepe Ortega" in pencil.
José Ortega (Spanish (culture or style))
Cazadores
circa 1952 – 1953
Museum Purchase
1954/1.65
A column of men in long coats and fur hats march through a snow-covered landscape.
Dmitri Baltermants (Russian (culture or style))
Romanian POWs from the Battle of Stalingrad
1942
Gift of Thomas Wilson '79 and Jill Garling '80
2013/2.328
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