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Between and Mortarboard

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611 UMMA Objects
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A Gothic-style church tower is seen in the middle distance. It dominates a cloudless sky in the upper portion of the image, with trees rising behind the lower portion of the building and a single story outcropping of the building expanding to the tower's left. The architectural details, especially the carved stonework and patterned brickwork, are rendered with precision.<br /> Signed and dated lower right on plate: "John Taylor Arms. 1937". Signed and dated lower right below plate in pencil: "John Taylor Arms 1937".<br /> Watermark: England
John Taylor Arms (American (North American))
Anglia Antiqua, West Walton
1937
Gift of Carl Fredric Clarke
1949/1.42
This photograph is a portrait of an older, seated man in a three piece suit. He is looking to the side in an interior space.
Thomas Leverton Donaldson
1843 – 1947
Museum Purchase
1989/1.58
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
René Boyvin
Empedocles
1539 – 1540
Museum Purchase
1990/1.189
This black and white etching shows a pier that dominates the foreground of the scene, and recedes toward the left distance while the center distance is vague darkness. There are tall, black pillars along the pier and waves of the water visible to the right of the image. The print is signed (l.r.) "Emil Nolde".
Emil Nolde (German (culture or style))
Hamburg, Landungsbrücke
1910
Museum Purchase
1954/2.29
Bird made up of geometric shapes and designs in bright blue and red colors on green-yellow ground. 
Enric Climent Palahi (Spanish (culture or style))
Bird
1939 – 1958
Museum Purchase
1958/1.119
From the height of a cross, a crucified man, wearing a crown of thorns and a loincloth, looms over a dramatic landscape. Three heads with wings appear near the top of the cross, and a skull and crossed bones lay at its base. A vast prospect of distant mountains and a bustling port unfolds through the background.
Bartolommeo da Brescia (Italian (culture or style))
Crucifixion
1565 – 1576
Museum Purchase
1970/1.177
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3
A print entirely in yellow, with hand drawn grid lines. On the grid lines, various measurements and marks have been made.<br /><br /> EC 2017
Alex Hay (American (North American))
Untitled, from "The New York Collection for Stockholm: 30 Artists"
1973
Gift of Mr. Robert Rauschenberg
1976/2.114
This decorative image is organized along a vertical axis wtih fanciful creatures, grotesque heads, depictions of carved gems and harpies.
Agostino dei Musi (Italian (culture or style))
Upright Ornament with Bull and Satyrs
1515 – 1525
Museum Purchase
1960/2.133
Portrait of Hollywood actress Marilyn Monroe.
Andy Warhol (American (North American))
Marilyn
1967
Gift of Frances and Sydney Lewis
1969/1.84
Portrait of Hollywood actress Marilyn Monroe.
Andy Warhol (American (North American))
Marilyn
1967
Gift of Frances and Sydney Lewis
1969/1.86
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