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7 UMMA Objects
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Oblique view of a pylon in front of which are set an obelisk and two humanoid sculptures, half submerged in sand. A minaret peaks through the break between the two vertical elements of the pylon.
Pascal Sebah (Turkish (culture or style))
Louqsor. Le Pylône
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.203
This photograph depicts a view of a church, before the church is a wide open piazza with two obelisks standing in its center. Next to one of the obelisks is a donkey cart.
Giorgio Sommer (Italian (culture or style))
Chiesa St. Maria Novella (Firenze)
1857 – 1866
Gift of Mr. & Mrs. W. Howard Bond
1986/1.152
This photograph depicts an aerial view of an ancient temple surrounded by trees.
Marilyn Bridges (American (North American))
Priene, Temple of Athena, Turkey
2004
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.60
This photograph depicts a tomb in a chapel with ornate decorations. In the center of the images is a tomb and, to its right, an effigy.
Francis Bedford (British (modern))
Tombs in the Beauchamp Chapel, Warwick
1850 – 1894
Gift of W. Howard and Margaret Bond
1991/1.112
This photograph depicts a view of some ancient stone ruins. Two columns stand in the center of the photograph, each bearing relief designs and carved hieroglyphics.
Felice Beato (British (modern))
Karnak, Les Deux Stelles Pilliers
1850 – 1862
Transfer from the Kelsey Museum of Archaeology
1980/1.157
The front (obverse) of this medal represents a portrait of a man in profile wearing a papal tiara and a cope. The reverse depicts a city square dominated by an obelisk with a pair of identical domed churches in the background. Inscriptions run around the edge of the medal on both sides.
Gioacchino Travani
Pope Alexander VII (obverse), and the Piazzo del Popolo (reverse)
1662
Museum Purchase
1984/1.282
Six figures appear in a formal garden landscape. On the right a pair of men in powdered wigs stand behind two women, one seated in a wheelchair, before an elaborate portico. A pair of boys, also sporting wigs, stand on the left, partly screened by a fountain. One of the boys holds a shell and the other carries a parrot. A small pool extends through the middle ground behind the figures and draws attention to the setting and the distant obelisk visible above the trees.
Charles Philips
The Edwards Family on a Terrace
1732
Museum purchase made possible by the W. Hawkins Ferry Fund
2000/2.3
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