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21 UMMA Objects
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The gray jar with a little long neck has a foot with rectangular perforations and is potted with fine silt-based clay. The relatively thin mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. The foot whose bottom is rolled outward is a little high and wide.<br /> <br /> This is a dark gray, long-necked, high-fired stoneware jar with a pedestal. It has a diagonally splayed neck that is encircled with two raised bands formed by narrowly incised lines. The rim has a rounded edge. The shape of the body is spheroidal, while a raised band marks the boundary between the neck and body. The body, which is widest at its center, is engraved with two shallow horizontal lines that create a wide raised band. The short pedestal and the vessel body are joined smoothly. The pedestal features four square perforations and spreads out horizontally near the bottom edge. <p>[Korean Collection, University of Michigan Museum
Korean (Korean (culture or style))
Storage Jar on cut-out pedestal foot
500 – 699
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.174
The gray jar with a little long neck has a foot with rectangular perforations and is potted with fine silt-based clay. The relatively thin mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. The foot whose bottom is rolled outward is a little high and wide.<br /> <br /> The long and splayed neck of this blue-gray, high-fired stoneware jar is encircled by two sets of ridges. The set on the upper section of the neck has two ridges, and the set on the lower section has one ridge. The rim is narrow and round. The inner surface of the neck shows rough, uneven surfaces resulting from wheel throwing. The body is widest at its middle. The vessel surface has been smoothed by paring on a wheel after attaching the low pedestal. The pedestal shows six rectangular perforations. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 51]</p>
Korean (Korean (culture or style))
Storage Jar on cut-out pedestal foot
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.176
Flared base with rounded food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating herringbone, or dotted design. The know on the lid is the shape of a Buddhist canopy, or chattra.<br /> <br /> This is a dark blue-gray, high-fired stoneware lidded stem cup. The lid is crowned by a pearl-shaped knob, while both the inner and outer surfaces of lid have traces related to the attachment of the knob to the lid. A v-shaped pattern of engraved dots, made using a sixtooth comb, surrounds the central knob. The cup&rsquo;s flange slopes inwards and has a sharp edge. The cup body has a horizontal gallery that holds the lid in place. The stem is perforated by rectangular openings, below which is a sharply protruding circular raised band. Traces of rotation and water smoothing are visible on the body and stem of the cup. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 59]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.169A&B
It has wide flared bowl supported by a little flared pedestal foot. Three raised band lines encircle the middle of the bowl. The foot which is separated into 3 parts and has a lot of triangular holes gives the whole bowl stability. There is a tiny wave design on the surface of the bowl and foot<br /> <br /> This is a gray, bowl-shaped, high-fired stoneware vessel stand. The bowl-shaped body flares widely until it spreads horizontally to reach the round rim with grooves. The body is divided by three raised bands into four sections, each of which features a wave design rendered using a multi-tooth comb. The pedestal is divided into five sections by horizontal ridges. Each of the three central sections features four triangular perforations; the lower two of these three central sections are also decorated with wave designs between the perforations. The edge of the pedestal base is narrow and grooved. The inner surfaces of the bowl-shaped body and pedestal show traces of a round inner support anvil that was used
Korean (Korean (culture or style))
Large bowl or stand on high cut-out pedestal foot
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.177
Large pedestal bowl with flaring mouth and base cut with evenly spaced triangular designs. Three side-by-side horizontal bands decorate the lip of the bowl, while six bands are spaced along the sides encompass the exterior of the bowl. In between these bands incised wavy lines stretch around the body horizontally.<br /> <br /> This is a well-fired, dark gray, bowl-shaped vessel stand. A set of two thick raised bands encircles the stand just below the rim, and three horizontal ridges divide the surface of the bowl below the bands. The sections divided by these bands and ridges have been decorated with wave designs rendered using a four-tooth comb. The bowl has an everted mouth and a round rim. The pedestal is also divided by raised bands into sections decorated with wave designs. Each of the upper two sections features five triangular perforations, while the lower sections feature five triangular perforations alternately offset from those of the sections above. The inner and outer surfaces show faint traces
Korean (Korean (culture or style))
Large Pedestal Bowl or Stand
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.179
It has deep cylindrical bowl supported by a little flared pedestal foot. Five raised band lines encircle the middle of the bowl. A single handle is attached to the body of the bowl. The foot is separated into two parts and has a lot of rectangular holes located in altering position. There is no design on the surface of the bowl and foot.<br /> <br /> This is a grayish white, high-fired stoneware pedestal bowl which is colored greenish-brown in places due to the formation of natural glaze. The bowl flares widely at its top and has a round base. Its outer surface is surrounded by five horizontal ridges which are arranged in three sets: two at the top, one in the middle and two at the bottom. The pedestal spreads outwards in a straight line and is divided into two sections by a set of two raised bands in its center. The upper and lower sections of the pedestal each contain five square perforations that are alternately offset from one another. The base edge of the pedestal is round and does not protrude much.
Korean (Korean (culture or style))
Pedestal Cup or bowl with handle, on cut-out pedestal foot
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.180
This vessel consists of a cup with an outward-flaring mouth supported on an inverted V-shaped pedestal foot. A single oval-shaped handle is attached to the underside of the cup. The pedestal foot is decorated with four vertical rectangular perforations. Immediately below this is a pair of thin horizontal ridges, which also encircle the body of the cup.<br /> <br /> This is a gray, high-fired stoneware stem cup. It is characterized by its shallow cup body and trumpet-shaped flared pedestal. A raised-band encircles the lower part of the pedestal, which is perforated by rectangular apertures in four places. A loop-shaped handle is attached to the lower part of the cup. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 66]</p>
Korean (Korean (culture or style))
Cup with handle on cut-out pedestal
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.181
The gray jar with a little long neck has a foot with rectangular perforations. The relatively thick mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. There are wave designs on the neck and upper body. The foot whose bottom is rolled outward is a little high and wide.<br /> <br /> This is a blue-gray, long-necked, high-fired stoneware jar. The long and flared neck of the jar is divided into four sections by thin horizontal incised lines in three places. The sections are decorated by the repeated use of short, downward strokes and wave designs made from scratching the surface with an implement. The body of the jar is widest at the middle, and slightly above the widest point, two incised lines have been drawn to form a section where the same wave design is applied from right to left according to the above technique. The lower part of the body shows faint traces of a parallel paddled pattern that has almo
Korean (Korean (culture or style))
Large storage jar on cut-out pedestal foot
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.185
It has a little Flaring base with spherical food storage bowl on top. There are no holes in the base. The lid is attached with a knob-handle shaped like a button. There is no design on the lid but stained some part.<br /> <br /> This is a dark gray, high-fired stoneware lidded stem cup. The stem cup features a shallow bowl, a low pedestal, and a separate lid with a ring-shaped knob. The shape of the lid resembles the Korean vowel &ldquo;ㅏ.&rdquo; The flange of the cup slopes inwards and has a round edge, while the gallery supporting the lid protrudes slightly upwards. The pedestal is surrounded by several raised bands, and its bottom edge is rounded. The outer surface shows traces of the potter&rsquo;s wheel and natural glaze in parts. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 64]</p>
Korean (Korean (culture or style))
Covered Pedestal Bowl
7th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.203A&B

American (American (North American))
Pedestal Card Table
1830 – 1850
Gift of Colonel and Mrs. Thomas M. Spaulding
1967/2.36
The cover has a button-shaped knob at the top and is mostly plain. The mounted bowl has a outward-turned rim. This type of mounted bowl may be deated to sometime in the early 5th century.<br /> <br /> This is a blue-gray, high-fired stoneware lidded stem cup. The shape of the lid is similar to that of the Korean letter &lsquo;ㅏ&rsquo; and is crowned with a ring-shaped knob. The cup&rsquo;s flange slopes inwards and has a sharp edge, while the gallery that supports the lid protrudes slightly. The trumpet-shaped pedestal is perforated in four places by rectangular openings and has a slightly thick bottom edge. <p>[Korean Collection, University of Michigan Museum of Art (2017) p. 61]</p>
Korean (Korean (culture or style))
Covered bowl on cut-out pedestal foot
5th century
Gift of Mr. and Mrs. Millard H. Pryor
1969/1.98A&B
On the left the sculptor is shown working on a model of the woman on the right. There is an angel at the feet of the woman/muse.
Peter Grippe
The Sculptor
1957
Gift of Professor Walter M. and Nesta R. Spink
2013/2.531
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