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Between and Mortarboard

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6 UMMA Objects (page 1/1)
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In this scene mountains and a pavillion are covered by snow and dormant trees bear no leaves.  Calligraphic text is in the upper right corner.
Chang Ku-nien
Clearing After Snow
Gift of Dr. Cheng-Yang and Mrs. Shirley Chang
Sweeping brushstrokes of varying intensity convey the general landscape of this painting. More detailed brushwork is used to illustrate eight geese flying low amoung plants or reeds.
Lin Fengmian
Landscape with Geese
1960 – 1970
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
Cloudy mountain scene with calligrapic text in the upper right corner.
Chang Ku-nien
White Clouds
Gift of Dr. Cheng-Yang and Mrs. Shirley Chang
Green mountains create the edge of a river.  Red flowers grow on the hill framing the scene in the right corner, and two boats sail the waters below.  In the upper center of the painting is calligraphic text.
Chang Ku-nien
In the Spirit of Li Bai's Poetry
Gift of Dr. Cheng-Yang and Mrs. Shirley Chang
This hanging scroll depicts a scholar seated in a pavillion built into a mountainous landscape overlooking a bay. In the foreground, dark rocks rise up from the water to the right, while two large trees extend out over the water. Behind this is a series of five structures with a single figure inside, gazing out over the water. In the background, mist and mountains are suggested through the use of a lighter gray ink wash. 
Soga Shōhaku
House by the Bay
18th century
Museum Purchase
A lark stands inside the curving vine of a morning glory growing on the grass. Both the bird and the flowers are naturalistically depicted, while the grass is indicated with subtle brushstrokes mostly grouped in the bottom left corner of the painting.  
Yūki Masaaki
Lark and Morning Glory
1867 – 1932
Bequest of Margaret Watson Parker