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Results for terms:fishing villages

5 UMMA Objects (page 1/1)
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The blue four-armed Vishnu is shown lying on a gigantic pipal leaf with his left leg crossed over his right leg; as his female consort gently strokes his leg, he awakens from a long sleep. Another woman fans him. From his navel sprouts a lotus, bearing the four-headed creator god, Brahma, and rishis or sages appear in the upper branches of the pipal tree.  Vishnu has four arms carrying a discus and a conch in his back hands and the lower left arm is extended pointing towards the women at his feet while the lower right am is cross towards his stomach.<br />The iconography is further compounded by the image in the lower register of a tortoise at the bottom of the ocean of milk, bearing a mountain on his back. The tortoise is in fact Kurma, another manifestation of Vishnu, supporting the cosmic axis. Elephants have gathered to pay homage to him, while in a small inset at right, a worshipper pays homage to Shiva, Vishnu, and Brahma. A large red figure faces the scene to the right accompanied by small blue figures
Indian (Indian (South Asian))
Fragment from a Markendeya Purana scroll: Vishnu on the pipal leaf
1767 – 1799
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel
1980/2.306
The four-armed Vishnu is shown lying on the serpent Ananta (“the endless one”), resting on the surface of the cosmic ocean. As his female consort gently strokes his leg, Vishnu awakens from a long sleep. From his navel sprouts a lotus, bearing the four-headed creator god, Brahma, who will begin a new cycle of the universe.
Indian (Indian (South Asian))
Fragment from Markendeya Purana: Vishnu Reclining on a Serpent
1750 – 1799
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel
1980/2.305
This photograph depicts a woman walking into her home in a rural village after hanging laundry to dry on a clothesline. 
Francis Bedford (British (modern))
Clovelly, North Hill
early 1850s - early 1890s
Gift of Dr. and Mrs. Joseph Hartsook through the Friends of the Museum of Art
1971/2.128
This photograph depicts an aerial view of a coastline on which sits a modern town and the ancient ruins of a city.
Marilyn Bridges (American (North American))
Cerro Azul, Cañete Valley, South Coast, Peru
1988
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2014/2.278
<em>&quot;Lonely Fisherman at Autumn River</em>&nbsp;is oriented horizontally to provide the breadth of the river and emphasizes the softness of the mountains&rsquo; width as opposed to an imposing verticality...The main visual cue of the season in the piece is the seasonal poem of autumn, followed to the left by Itsuun&rsquo;s signature and seal in red in the upper right-hand corner.&nbsp; A more subtle suggestion of autumn are the birds in a migratory formation just above the surface of the lake...&nbsp;The only separation between the sky and the river in the painting is the tall tree just to the right of the center of the painting that provides a focal point, but even then, the void of the water&rsquo;s surface leaks into the edge of the mountain, and even lies within the outlines of the village...&quot;<br />
<br />
Nakamura, Chris. &ldquo;Lonely Fisherman at Autumn River.&rdquo;&nbsp;<i>Japanese Landscapes</i>, 18 Dec. 2009, japaneselandscape.wordpress.com/literati/literati-prints/lonely-fisherman-at-a
Kinoshita Itsuun
Lonely Fisherman at Autumn River
1852 – 1949
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/2.246
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