60 UMMA Objects
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Joan Miró (Spanish (culture or style))
Print No. 8 from 'Album 13'
Museum Purchase
In the lower right corner of the image, the head of a man with dark hair and a mustache is seen from the back. He sits in an armchair, gazing up at a raven perched on the helmeted head of a white classical bust. The bust is placed atop the frame of a simplified door. A mass of quickly-drawn black slashes surround the raven, stretch down diagonally from the door frame into the space of the seated man.<br />
Signed recto, in plate, lower right, in image: "E. M."
Édouard Manet (French (culture or style))
Le Corbeau sur le Buste (The Raven on the Bust of Pallas Athena)
Museum Purchase
This print shows a profile of a small, bear-like man from the waist up. He is balding, with a fringe of hair by his neck but none in the center of his head. He wears a light colored, loose fitting garment with thick, dark outlines articulating the parts of his clothing. The background is very dark.
Georges Rouault (French (culture or style))
Bon Électeur
Museum Purchase

American (American (North American))
Christmas Poem
Bequest of Jean Paul Slusser
A group of figures with parasols and hats wait on shore for two approaching boats filled with passengers. Trees and a village are seen on the opposite shore. Writing in the upper left corner. Title in red box in upper right corner.
Utagawa Hiroshige (Japanese (culture or style))
The Fifty-Three Stations of the Tokaido (Kichizo Edition): #3 Kawasaki
1845 – 1855
Gift of J C Mathes and the Tokyo Center for Language & Culture (TCLC)
A drawing of the outline of a woman and her dress. The outline is in black and filled in with shades of orange and red.
Grace Hartigan
Untitled (The Second Mrs. Nash)
Horizontal image filled by reclining female nude, legs and feet to the right, torso and head to the left. The figure's torso lower torso to the knees covered with pink sheet. 
Armando Morales (Nicaraguan)
Mujer Dormida
Gift of the Blanton Museum of Art, The University of Texas at Austin
This image depicts two women engaged in action at the threshold of a doorway. One woman stands to the right side of the frame, while the woman on the left bends to examine her dress.
Clarence H. White (American (North American))
Illustration to "Eben Holden"
1902 – 1905
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
Large image painted with bold blues, reds, greens and yellows. Illustrates seven figures; three on the left half and four on the right. Several of the figures are pinching some sort of food substance. The figures that are closest to the right and left edges of the image also are holding weapons.
Artist Unknown, India, Maharashtra, Paithan School
Mahâbhârata series: Warriors in conference
1800 – 1866
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel.
The image is divided in to two main halves.<br />
The top half is divided in 3, and the bottom half divided in 6. All the divided spaces, except for the lower right corner contain a human figure. In the top half the two outer figures face inward toward the central figure who is seated on a panel slightly above them. The central figure is yellow, with out clothing, on a red background outlined with an olive green border. The figure to the left is cream colored without clothing on a pinkish background. While the figure to the right is clothed in red on a green background.<br />
The figures in the lower half carry shields and various weapons. The dominate colors in each of the 6 sections rotates between green, blue, red and yellow.
Artist Unknown, India, Rajasthan, Sirohi School
Digambara Jain manuscript page: Jina venerated by a monk, raja, and warriors
18th century
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel

Rubbing from bas-relief illustrating 'The Ramakien from Wat Phra, Jetubon, Bangk
1945 – 1976
Gift of Miss Mina L. Winslow.
A menage of female figures lie entangled together, painted in many different colors. Certain body parts appear identifiable and are emphasized with bleeding lines. In the background appears straight-lined brush strokes emoting a fence or barricade much like one would see within a concentration camp. Beneath the watery brushstrokes are thin, precise lines.
Eduard Bargheer
Holocaust 6
Museum Purchase