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44 UMMA Objects
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Jean-Alfred Desbrosses
Le Mare aux Grenouilles
1835 – 1906
Gift of Samuel P. Hayes
1973/1.761
The thriving commercial activity of a metropolitan river is shown as ships and barges of all types maneuver along the river's edge in the foreground. In the middle distance a bridge spans the water and beyond more buildings are loosely sketched in.
James Abbott McNeill Whistler (American (North American))
Old Hungerford Bridge, from the 'Sixteen Etchings,' or the 'Thames Set'
1861
Bequest of Margaret Watson Parker
1955/1.121
Seen at a distance are several sailing ships at dock along a riverside embankment. Row houses can be seen beyond and in the distance, at the left, is a wooden bridge and and a cluster of trees.
James Abbott McNeill Whistler (American (North American))
Lindsey Houses
1876 – 1877
Bequest of Margaret Watson Parker
1954/1.366

Ohara Shōson (Koson)
Two white cranes in a stream
1930 – 1945
Gift of Professor Rose Vainstein
1982/2.24

Ohara Shōson (Koson)
Spring rain (Egret in rain)
1930 – 1945
Gift of Professor Rose Vainstein
1982/2.25

Japanese (Japanese (culture or style))
One of Nine Panels, each with various pieces of textile
Transfer from the College of Architecture and Design
1972/2.44.4

Chinese (Chinese (culture or style))
Separated cuffbands: Deer and crane under plum blossom on silk
19th century
Gift of Mr. and Mrs. Herbert W. Johe
1989/2.39.2

Herbert Waters
Granite Quarry, New Hampshire
1930 – 1940
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.144
A truck hauling sugarcane stops in front of a factory with a row of palm trees in front of it.
Dmitri Baltermants (Russian (culture or style))
Sugar Cane Factory, Cuba
1970s
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.86
Black crepe silk with origame crane designs hand-painted by paste-resist yûzen techinique, in colors and gold pigment. Lining is pink silk damask with woven pattern of truncated floral medallions. Double oak leaf crest (kashiwa) is embroidered with bokashi-dyed blue and white thread.
Japanese (Japanese (culture or style))
Black crested haori with yûzen painted origami crane design
1940 – 1960
Gift of Howard and Patricia Yamaguchi
2005/1.356

William Garnett
Sandhill Cranes over Brazos River, TX, 1975, from 'Color Nature Landscapes II' p
1975
Gift of Marilyn and Leon Sokol
1985/1.90.4
Paper mounted on aqua silk. There are two figures present, and a large crane (bird). The central figure, Zhang Tiangi, has his arms uplifted, while a less important figure is depicted with his back to the viewer and is slightly hunched over. There is a crane with a red crown behind these two figures. The colors are muted. There is calligraphy in the upper left hand corner of the painting, complete with two red seals.
Huang Shen
Figures from Chinese History: The Taoist Luo Gongyuan
1687 – 1766
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/2.158
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