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Between and Mortarboard


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Results for terms:costume accessories

33 UMMA Objects (page 1/3)
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Zhang Wendao (Chang Wen-tao)
Calligraphy
1805
Museum Purchase made possible by the Margaret Watson Parker Art Collection Fund
1981/2.132B

Fon (Fon (culture or style))
Ceremonial Fan
1945 – 1955
Museum Purchase
1988/1.141

Du Weizhi (Tu Wei-chih)
Calligraphy
1700 – 1732
Museum Purchase made possible by the Richard K. Beardsley Memorial Fund, supplemented by the Friends of the Museum of Art
1980/1.220B

Jean Louis Forain
L'Ambulante (Illustration for J.K. Huysmans' 'Croquis Parisiens', 1980)
1880
Gift of Steven Hutchins
1973/1.715

Chokwe (Chokwe (culture or style))
Initiation Mask
1900 – 1970
Gift of Mr. and Mrs. Chet H. LaMore
1970/2.121
A vignette of a group of women on a balcony, all looking downward. The women have hats and parasols. There the horizontal bands that indicate architecture delineating different stories. Above the gathering on the terrace, at the center of the image is a small window that shows two other people looking outward.
James Abbott McNeill Whistler (American (North American))
The Little Balcony
1894
Bequest of Margaret Watson Parker
1954/1.444

Mary Cassatt
In the Opera Box
1875 – 1885
Museum Purchase
1958/1.94

Maxime Lalanne
Rue de la Tonnellerie (Maison dite de Molière)
1858 – 1868
Gift of Samuel P. Hayes
1973/1.779

E. Berne-Bellecour
Japonaise
1877
Gift of Samuel P. Hayes
1973/1.745

French (French (culture or style))
Lady with Fan
18th century
Bequest of Doris Margaret Grigaut for the Paul Leroy Grigaut Memorial Collection
1981/1.328

William T. Wiley (American (North American))
Eerie Grotto? Okini
1982
Museum Purchase
1993/1.110
A massive wood-carved headdress with stylized face (showing classic Yoruba features) of bulging eyes with defined upper lids, long, straight, triangular nose, symmetrical scarification patterns consisting of three horizontal lines on each cheek, and a short beard from ear to ear just underneath the lower lip. Two large “ears” protrude on either side of head and act as “scaffolding” for numerous attachments of symbolic content: birds and lions predominate, but also visible are amulets, wooden claws and beads, crosses, and an insignia shield of some kind. The ears terminate in two oblong mirrors with lions leaping off of each. Layers of pigment are visible, giving the impression that it has been repainted over time.
Workshop of Adugbologe
Egúngún headdress
1945 – 1955
Gift of the Edward H. Eliscu Family
1985/1.183
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