5 UMMA Objects
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Densely painted, this painting depicts a battle with figures both on foot and on horseback.  Fallen figures in the foreground are mirrored by a line of figures still engaged in combat in the futher distance.  The rump of a white horse at the left is balanced by another pale horse and rider (with banner) that approaches the viewer at right.
Alexandre-Gabriel Decamps (French (culture or style))
Study for The Defeat of the Cimbri (Étude: La Défaite des Cimbres)
1824 – 1833
The Paul Leroy Grigaut Memorial Collection
In this print, a grey-robed man with unbound hair looms over a warrior who is half-kneeling on the ground. The warrior’s robes are patterned with plum blossoms, and he carries several swords.  Behind him, a wheel and bamboo mat are visible in disarray.<br /><br />
This is the center panel of a tryptich (with 2011/2.199.1 and 2011/2.199.3).<br /><br />
Inscriptions: Fujiwara Shihei; Umeomaru; Kuniyoshi ga (Artist's signature); San (Publisher's seal); Mera, Murata (Censors' seal)<br />
Utagawa Kuniyoshi (Japanese (culture or style))
Sugawara no Michizane and the Secrets of Calligraphy: Bandō Mitsugorō IV as Fujiwara Shihei and Seki Sanjūrō III as Umeōmaru
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
View down the barrel of an anti-aircraft gun seen from behind the shoulder of a young soldier; another soldier with binoculars is visible in the lower left.
Dmitri Baltermants (Russian (culture or style))
Anti-Aircraft Gunner
1941 – 1945
Gift of Thomas Wilson '79 and Jill Garling '80
A photograph of a nude man sitting on a bed, his back turned toward the viewer. Cloth drapes over the end of the bed, curtains drape over the walls, and a battle helmet sits at his feet. 
McDermott & McGough (American (North American))
Valpinçon Bather
1988 – 1994
Museum purchase made possible by a gift from Helmut Stern
On a vertically-oriented page, with printed image extending to the borders of the page, there are various scenes and images combined together. There are two main registers. On the bottom, there is a collaged image of a woman putting on lipstick at the beach, and the rear end of a classic car to the right. To the left, there are two smaller frames: on top there is an urban street scene collaged with demolished cars, and on the bottom there is a single scene of a fashion office orstudio with three women. In the top register, there are four main frames. On the right, the largest scene in the print, there is an image of a soldier with a handgun collaged with an image of a small child with a soldier's helmet on his head. The boy holds a bucket. To the left, there are three smaller images, each showing a man and a woman in varying degrees of fancy dress. The overall scene is printed in a vibrant orange color.
Sir Eduardo Paolozzi (British (modern))
Pig or Person, it's the same, Fortune plays a funny game
1965 – 1970
Gift of Professor Diane M. Kirkpatrick