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Results for terms:color (perceived attribute)

70 UMMA Objects (page 1/6)
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Large abstract painting with an orange border that fades to purple and then becomes bright aqua-blue at the center.
Leon Berkowitz (American (North American))
Unity no. 41
1970 – 1975
Gift of the Estate of James van Sweden
2015/2.30
This abstract painting is made up of geometric shapes in four main colors. The lower left is a bright yellow, the upper left is green, much of the right hand side is orange with a slightly lighter orange area in the upper right corner.  Over these areas are a thin, blue vertical rectangle in the center left and a cluster of geometric shapes in red, black, blue, green, and white in the upper half.  
Maurice Estève
The Conjurer
1951
Museum Purchase
1954/2.38
This vertically oriented print is divided equally into two halves. The upper half is solid black, the lower half is solid white.
Ellsworth Kelly (American (North American))
Untitled
1973
Gift of Mr. Robert Rauschenberg
1976/2.116
A long horizontal piece of white paper with a red rectangle on the right. On the rectangle is a design of intersecting planes in black, grey and white. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.15
On a long white horizontal piece of paper are two green rectangles with other rectangles embedded in them, in shades of yellow and orange.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.63
On a long white horizontal piece of paper are two rectangles. On the left the rectangle is in shades of grey and on the right, in shades of blue and grey. Within each are geometric shapes in white that look like vertical boxes. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.57
On a long white horizontal piece of paper are two squares, the one on the left in green hues and on the right, blue hues. Each square has white and light colored planes interconnected within them.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.59
On a long horizontal white piece of paper are two rectangles. The one on the left is brownish yellow and on the right, black. Each has a pattern of squares that look like two thin, upright boxes. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.28
On a long horizontal piece of white paper a green square sits on the right side. Within it, vertical undulating lines create shapes within which horizontal bands of darker and lighter shades of green make op-art like patterns. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.3
On a long horizontal piece of white paper there is a brown-yellow rectangle on the left and a black square on the right. Each have rectangles embedded in them in the color family of the parent shape. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.31
On a long white horizontal piece of paper are two rectangles, the one on the left is black, and on the right, grey. Embedded in each are other rectangles: on the left in shades of blue and green, and on the right in shades of yellow and orange. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.43
On a long white horizontal piece of paper are two outlines of geometric shapes weaving in and out of each other. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.55
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