Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard


UMMA Object Specific Fields






Query builder

Results for terms:color (perceived attribute)

70 UMMA Objects (page 1/6)
Results Per Page Sort by

Large abstract painting with an orange border that fades to purple and then becomes bright aqua-blue at the center.
Leon Berkowitz (American (North American))
Unity no. 41
1970 – 1975
Gift of the Estate of James van Sweden
2015/2.30
This abstract painting is made up of geometric shapes in four main colors. The lower left is a bright yellow, the upper left is green, much of the right hand side is orange with a slightly lighter orange area in the upper right corner.  Over these areas are a thin, blue vertical rectangle in the center left and a cluster of geometric shapes in red, black, blue, green, and white in the upper half.  
Maurice Estève
The Conjurer
1951
Museum Purchase
1954/2.38
This vertically oriented print is divided equally into two halves. The upper half is solid black, the lower half is solid white.
Ellsworth Kelly (American (North American))
Untitled
1973
Gift of Mr. Robert Rauschenberg
1976/2.116
On a long white horizontal piece of paper are two outlines of geometric shapes weaving in and out of each other. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.55
On a long horizontal piece of white paper is a brown square on the right. Within the square are vertical wavy lines with alternating horizontal stripes. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.56
On a long horizontal piece of white paper we see two light grey rectangles with geometric designs on them. On the left the design is a black outline, Escher-like pattern of rectangles, and on the right the same design is created with flat planes of black, grey and white. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.14
A long horizontal piece of white paper with a yellow square on the right, with other squares nested in shades of yellow and grey. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.21
On a long white horizontal piece of paper are two squares. The square on the left is black and the one on the right, grey. On each square is a design of a square pushed askew on its diagonal axis with shades of black, white and grey in the shapes created by the overlapping planes.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.64
On a long horizontal white piece of paper are two squares: on the left, a blue square and on the right, a green one, each with nested squares within.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.67
On a long horizontal piece of white paper there is a slightly irregular white square on the right. Within it is a curvilinear design of alternating white and teal.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.37
There are two grey squares on a long white horizontal piece of paper with nested squares inside in shades of yellow.
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.38
On a long horizontal white piece of paper there is a grey rectangle on the right. Within it are two columns with overlapping horizontal and vertical stripes in black, grey and white. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.46
1 2 3 4 5 6
Loading…