27 UMMA Objects
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Chandelier consists of a bronze post with eight arms (inset with colored glass) from which hangs two rings of yellow translucent glass half-dome glass surrounding a single, large yellow glass half-dome globe in the center.
Louis Comfort Tiffany
Chandelier, from the library of the Henry O. Havemeyer house, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art, 1986.146.4
1986.146.4
A crowd gathers in the side chapel of a church around a group of seated figures and an infant. A man with a long flowing beard sits and holds the infant in his hands above a plate, while another man leans forward in his chair and peers through his spectacles at the child as he performs a circumcision. A plaque with the artist's initials, "HG," lies on the floor in the foreground.
Hendrick Goltzius
The Circumcision (Life of the Virgin Series)
1594
Museum Purchase
1976/2.137
An interior scene with an eye-level view of a church altar with low-relief carvings on the façade situated on a raised dais behind a balustrade and flanked by two sculpted angelic figures. Above is a rounded-arch opening in which sits a sculpture of a female figure with candelabras on either side. A chandelier hangs in front of the altar.
Felix Bonfils (French (culture or style))
Intérieur de l'Ecce Homo – Interior of the "Ecce Homo"
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.7
This bronze light fixture consists of a central circular celestial motif from which extend twelve arms in a radial pattern. Six of these arms, embellished with maltese crosses, end in omega-shaped terminals. These decorated arms alternate with six unadorned arms that terminate in rings designed to hold glass oil lamps. The entire disk is suspended from three bronze chains joined to a large hook.
Coptic;Egyptian
Polycandelon for six oil lamps
6th century
Museum Purchase
1965/2.54
This photograph shows an interior view of a highly decorated religious building. A chandelier and various other hanging lamps fill the upper register of the image. Other architectural elements in the picture, including the floor, the walls, a railing, the altar, and other shrines, all appear covered in intricate foliate designs.   
Felix Bonfils (French (culture or style))
Intérieur de l'Eglise Arménienne – Interior of the Armenian church
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.8
Near-symmetrical interior view of a lavishly decorated building.
Felix Bonfils (French (culture or style))
Intérieur de l'Eglise de l'Anonciation à Nazareth
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.8
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This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.20
A hall mirror in a hotel lobby reflects an interior adorned with a chanderlier.
Walker Evans (American (North American))
Mirror in Hotel Lobby, Saratoga Springs, New York
1930 – 1933
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
1990/2.52
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This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.19
<br />
This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.22
​<br />
This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.23
<br />
This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.21
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