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Between and Mortarboard


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Results for terms:artists' books (books)

48 UMMA Objects (page 1/4)
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André Mellerio (French (culture or style))
La Lithographie en Couleurs par Andre Mellerio
1898
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.455
A print on paper cut in the shape of a upsidedown "T."  The fat rectangle at the bottom is nearly empty, with yellow stripes on three sides indicating walls,  The thinner rectangle at the top contains structures outlined in bright red, yellow, blue, and green.
David Hockney (British (modern))
Red Square and the Forbidden City
1982
Gift of Gregory and Marlene Burhans
2000/2.317
A small book with painting/print sewn in as a page.
William Weege (American (North American))
Wiggler
1974
Gift of the Marvin Felheim Collection
1983/1.299
This print has two series of thick black parallel lines that form a zig-zag pattern and connect out to a series of spheres, resembling a wall-mounted coat rack. There are two lines of spheres; the three on the top are light purple and the three on the bottom are dark purple. The background and the structure created by the parallel lines is in a dark purple. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh! if one of Them, some fine evening, would try
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.10
With a solid blue background, this print depicts a metal railing that is outlined in thick black lines and colored bright green. Coming from the center right, the railing is the only thing depicted in the print. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
My life inspires so many desires
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.22
Gray cover of Alfred Stieglitz's publication, <em>Camera Work, </em>containing text essays, graphic elements, and photogravures by various authors, artists, and photographers.
Camera Work
1914
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.143
Gray cover of Alfred Stieglitz's publication, <em>Camera Work, </em>containing text essays, graphic elements, and photogravures by various authors, artists, and photographers.
Camera Work
1909
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.141
The majority of this print is solid black but on the right, there is a sliver of bright pink in the shape of a triangle. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Curtains drawn back from balconies of shores
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.21
This print depicts a wall-mounted coat rack, depicted with black-outlined grey zig-zag bars that connect to three yellow spheres above, and two red spheres below. There is a light grey shape hanging over the center sphere. The background is uniformly colored a peachy-beige. The print is signed and editioned in pencile (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Thus, she would come, escaped, half-dead to my door
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.11
This print shows a clear glass on a windowsill, both outlined in black. The window is colored a muted yellow and solid blue sky depicted through the window. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh Helen, I roam my room
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.15
This print is almost entirely solid black. At the top center, there are two planes of color, shades of blue, separated by a thick black line. This creates an image resembling an opened curtain, looking out a window from a dark room. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
And, with my eyes bolting toward the unconscious
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.12
Two seated men, depicted in three-quarter length, with flowing beards and long robes look out from this print. A painting of a seated woman holding a child on her lap sits on an easel between them. A closed book is placed before the man on the left, and a second book sits open next to the figure on the right. This man holds a mahlstick, used by painters to steady their hand as they work, in his right hand. A palette and brushes are placed on a ledge in front of him.
Ludolphe Buesinck
St. Luke and St. Mark with a Portrait of the Virgin and Child
17th century
Gift of J. Frederick Hoffman
2007/2.144
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