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11 UMMA Objects
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A deep covered passageway dominates the composition. At the near end of the passage, to the right side, stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
James Abbott McNeill Whistler (American (North American))
The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.382
An empty covered passageway dominates this image. In the foreground are three young saplings. At the far end of the passageway a man can be seen sitting in the sunlight alongside the edge of the canal. On either side of the passageway in the foreground are windows and indications of cornices and other architectural elements.
James Abbott McNeill Whistler (American (North American))
The Traghetto, No. 1
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.376
A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway are three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
James Abbott McNeill Whistler (American (North American))
The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.377
Three arched openings (windows flanking a central door) are obscured by the trunks and foliage of two slender trees positioned in front of the building. Neither the tree trunks nor the building facade are drawn completely down to the ground.
James Abbott McNeill Whistler (American (North American))
Café Corazza, Paris
1892 – 1893
Bequest of Margaret Watson Parker
1954/1.409
This photograph depicts a street-level view down a medieval Italian alleyway. The alleyway has archways that connect the buildings on either side. Seated on the street and leaning out of a window, a small group of spectators face the camera. 
Carlo Brogi
Sanremo - Vicolo del Giuoco della Palla
1881 – 1895
Gift of Mr. and Mrs. W. Howard Bond
1982/1.231
A view through the archway of a colonnade toward a landscape in the background.
Francis Frith (British (modern))
Boorhaupore. The Musjid
1858 – 1880
Gift of Howard and Margaret Bond
1990/2.17
A black and white lithograph print of a long arched tunnel. Down the archway are two more entryways, projecting light from within out to the first archway, where the street outside is dark.
Emilio Sanchez
El Saguán, San Juan
1967
Gift of the Emilio Sanchez Foundation
2011/2.96
Photograph depicts scene of downtown Saint Louis with a small part of the famous Gateway Arch visible just right of the center of the image.
Joel Meyerowitz (American (North American))
Downtown Saint Louis
1978
Gift of Thomas Wilson '79 and Jill Garling '80
2012/2.127
A large, two-story arched passageway leads from the foreground to a distant street. Viewed from the water of the canal that runs across the bottom of the print, the composition concentrates on the dark barrel vault of the passage, the boats that occupy the foreground between the water and the walls of the building, and windows and balconies that animate the wall on either side of the archway.
James Abbott McNeill Whistler (American (North American))
San Biagio, One of the 'Twenty-six Etchings' or the 'Second Venice Set'
1880
Bequest of Margaret Watson Parker
1954/1.385
This photograph depicts a panorama view of a palatial structure with archways and two domed watchtowers on its roof. Before the structure stand two figures talking and a garden full of trees and potted plants.
Samuel Bourne (British (modern))
The Fort -Agra- Palace of Akhar (marble)/ Taj in distance
1863 – 1875
Gift of Mr. and Mrs. W. Howard Bond
1989/1.48
This is an etching of a paved path to an archway under a building. The path leads from the foreground of the print back into the distance. Trees line the path and in the background is a building with two turrets above and an archway below.
Wilfred Byron Shaw
The Engineering Quadrangle
1919
Gift of Prof. and Mrs. Alfred H. White
1940.210
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