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Between and Mortarboard


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Results for terms:Zen masters

9 UMMA Objects (page 1/1)
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A woodblock print on paper depicting the image of a woman in a red robe and holding a smoking pipe. A corresponding poem inscribed at the top in both Chinese and Japanese.
Kitao Masanobu
Red-Robed Courtesan (parody of Bodhidharma)
1775 – 1785
Museum Purchase
1960/1.148

Japanese (Japanese (culture or style))
Bodhidharma Crossing the Yangtze on a Reed
1935
Gift of Stephen H. and Patricia O. Spurr from the Henry Jewett Greene Collection
2000/1.33

Chinese (Chinese (culture or style))
Bodhidharma Crossing the Yangzi River on a Reed
1575 – 1585
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1969/1.103

Yiran Xingrong (J. Itsunen)
Bodhidharma, from triptych of Three Zen Masters: Linji, Bodhidharma and Deshan
1658
Museum purchase, Acquisition Fund
1975/2.182

Yiran Xingrong (J. Itsunen)
Deshan, from triptych of Three Zen Masters: Linji, Bodhidharma and Deshan
1658
Museum purchase, Acquisition Fund
1975/2.181

Yiran Xingrong (J. Itsunen)
Linji, from triptych of Three Zen Masters: Linji, Bodhidharma and Deshan
1658
Museum purchase, Acquisition Fund
1975/2.183
Long calligraphy hanging scroll with green colored backing. Calligraphy paper is faded. Black ink. Stamps in red in the top right corner and near the bottom on the left. A smaller font of calligraphy is set on the left side while the larger set of calligraphy takes up the center of the scroll.
Yueshan Daozong (J. Etsuzan Dôshû; Ôbaku Etsuzan)
“Heads should be bowed to him,” quotation from the Avalokitesvara Sutra
1660 – 1709
Gift of Marvin Eisenberg in tribute to Richard and Vee Tsung Ling Edwards
1999/1.105
This hanging scroll depicts a bearded figure in billowing robes standing on a sword on the waves of a river. The figure is depicted with a great economy of line, with his face being indicated with a minimal amount of brushstrokes and the sense of the fluttering of his robes being indicated through a series of bold brushtrokes using dark ink and a dry brush. An inscription is placed on the upper right corner. 
Soga Shôhaku
Crossing the Yangtze on a Sword
18th century
Museum Purchase
1963/1.96
Hanging scroll with five large calligraphic kanji characters. The lower right contains further text and orangish read seals. The background brocade on which it is mounted is green and gold and has a floral design. Two strips of other material lie across the top and bottom of the white material on which teh calligraphy is painted. These strips also have a floral design and a light gold/yellow background.
Tetsugen (
Calligraphy: "And naturally ripens into fruit"
1660 – 1682
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1968/2.19
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