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Between and Mortarboard

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Results for terms:Mammals

35 UMMA Objects (page 1/3)
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Fred Alten
Black Fox
1912 – 1945
Gift of The Daniel and Harriet Fusfeld Folk Art Collection

Tivi Ilisituk;Inuit
Walrus Hunter
Gift of Arthur and Catherine B. Adel
Paper previously folded (approx. 2cm) at top, now flattened. Puncture hole at top center on fold line. Paper size: lh 21cm & rh 21 3/10cm x tw 27 4/5cm & bw 27 7/10cm. Plate size: lh 16 4/5cm & rh 16 9/10cm x tw 23 3/5cm & bw 23 1/2cm. Image size: h 13 1/2cm x w 21 1/2cm.
Charles François Daubigny (French (culture or style))
Claire de lune a Vilmondis
Gift of Ruth W. and Clarence J. Boldt, Jr.

Antoine-Louis Barye (French (culture or style))
1815 – 1875
Bequest of Margaret Watson Parker
The piece portrays a central god, with many milkmaids surrounding him.  There are louts flowers present, as well as hills and buildings at the top of the painting.  There are also various incarnations of gods, which are the blue-skinned figures.
Indian (Indian (South Asian))
1700 – 1850
Gift from the collection of Robert B. Jacobs
A cow skull on parched and cracked ground.
Arthur Rothstein (American (North American))
Cattle skull, Badlands, South Dakota
Gift of Thomas Wilson '79 and Jill Garling '80
This engraving is horizontally oriented. The length of a cow (with its head to the left and its tail to the right) is the focal point, taking up about a third of the image. At the cow’s head on the left, a barefooted man with a hat leans on a pole and rests his arm on a tree trunk. Behind the man is another cow with horns and he is standing in front of a building. The ground is rocky and a fence made of thin tree trunks runs along the background. At the cow’s tail on the right, is a peasant woman with bare feet. Her head is covered with a cloth and she labors to carry a heavy wooden milk bucket. Several trees and another cow are behind her. A small plaque on the ground in the foreground contains an inscription.<br />
Lucas Van Leyden
The Milkmaid
Museum Purchase

Edward Kemeys (American (North American))
1863 – 1907
Bequest of Margaret Watson Parker
The upper half of the picture is the sky, Corot's signature mark in the upper right corner.  There are two trees with little foliage extending from the lower left corner up to the top of the image.  To the right of those trees is the boat with a hunched figure sitting on the left side. A cow is on the other side of the boat, facing the right side of the image. There are trees with a lot of foliage in the center of the right half of the image just above the cow. There is grass all along the bottom edge of the image.
Jean-Baptiste-Camille Corot
Ville d'Avray: Boatman's Pond (Evening) [Ville d'Avray: L'Etang du Batelier (Effet du Soir)]
Gift of Carl Fredric Clarke

Edward Kemeys (American (North American))
Reclining Stag
1863 – 1907
Bequest of Margaret Watson Parker
In an ominous landscape a crowd of nude men, women and children, their bodies silhouetted against the descending gloom, struggle frantically to escape rising floodwaters. The figures gesture wildly and strenuously twist their long athletic bodies into a seemingly infinite variety of contortions as they clamber up the last hilltops and trees. A city stands on a hill and appears through the trees in the background.
The Flood
1585 – 1595
Gift of Peter B. Frantz, (Arch., 1949), and Family, in Honor and to the Memory of Jane Caroline Mahon Stanley (1863-1941), Our Beloved Grandmother, Artist, Teacher, Mentor and Friend

Edward Kemeys (American (North American))
Climbing Panther
1863 – 1907
Bequest of Margaret Watson Parker
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