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Results for terms:Korean pottery styles

11 UMMA Objects (page 1/1)
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Matte finish bottle. It is black with tan colorations with circular rings around the top.
Korean (Korean (culture or style))
Bottle
Gift of Margaret Condon Taylor in honor of Professor Kim Young Sook
2014/2.105
Glossy finish gray colored bowl. Contains a ring near the rim on the inside and an indentation in the center.
Korean (Korean (culture or style))
Celadon Bowl
Gift of Margaret Condon Taylor in honor of Professor Kim Young Sook
2014/2.106
A sturdy, well-potted stoneware jar, with a spherical bottom, a sharply angled shoulder, and a wide slightly flaring mouth. The decoration consists of four bands of combed wavy lines: one at the waist, one at the shoulder, and two on the neck. The neck bands are bordered by three ridges, a double ridge topmost.<br />
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This is a blue-gray, long-necked, high-fired stoneware jar with a round bottom. A horizontal ridge marks the boundary between the jar&rsquo;s round body and its neck. The steeply rising neck is divided into three sections by a set of two horizontal ridges on the upper part and a single horizontal ridge on the lower part. The central and lower parts of the neck have been decorated using a six-tooth comb to create a wave design. The upper body and the inner and outer surfaces of the neck retain traces of rough rotation and water smoothing. The upper part of the body slopes inwards at an angle sharp enough to form an edge. The surface above and below this edge are decorated with wave design
Korean (Korean (culture or style))
Round-Bottomed Jar with Straight Mouth
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.172
Flaring base with spherical food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating design.<br />
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This is a grayish white, high-fired stoneware lidded stem cup. The lid features a button-shaped knob at the center, around which a thin circle is inscribed. Triangular line designs are contained within the circle, which is surrounded by a row of semicircles with dots inside. The single-tiered, perforated, trumpetshaped pedestal has three rectangular openings. The pedestal flares widely outwards towards its bottom, which has a horizontally spreading edge.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 62]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
6th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.189A&B
It has narrow flat base, globular body and straight neck. The color is dark grayish-blue.<br />
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This is a dark gray, low-fired earthenware cup with a handle. The body is widest at its center, to which a semicircular handle is attached vertically. The entire body retains traces of rotation and water smoothing, while the lower part of the outer surface also retains traces of paring by rotating. The base is flat and has no foot.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 69]</p>
Korean (Korean (culture or style))
Cup with tiny handle
400 – 599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1982/2.54
Spherical stoneware jar with an elongated neck and wide flaring mouth. Two indented bands stretch across the base of the neck and repeat halfway up the neck as it flares outward.<br />
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This is a dark grayish brown, long-necked, high-fired stoneware jar with a wide mouth. Its neck splays diagonally upwards before spreading horizontally just below the mouth and flaring out upwards once again. Two wide, shallow lines forming a raised band mark the boundary where the neck and body meet. A similar type of raised band surrounds the upper-middle part of the neck. The body is widest at its middle part. Its outer surface shows faint traces of having been rendered with a paddled pattern, as well as water smoothing marks in a lateral direction. The base is round and contains clear traces of rotation and water smoothing. The inner surface of the neck shows irregular and rough traces of the supporting anvil (used during the paddling process) in a vertical direction, as well as rotation and water smoothing marks.
Korean (Korean (culture or style))
Round-Bottomed Jar with Wide Flared Mouth
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.183
Flared base with rounded food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating herringbone, or dotted design. The know on the lid is the shape of a Buddhist canopy, or chattra.<br />
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This is a dark blue-gray, high-fired stoneware lidded stem cup. The lid is crowned by a pearl-shaped knob, while both the inner and outer surfaces of lid have traces related to the attachment of the knob to the lid. A v-shaped pattern of engraved dots, made using a sixtooth comb, surrounds the central knob. The cup&rsquo;s flange slopes inwards and has a sharp edge. The cup body has a horizontal gallery that holds the lid in place. The stem is perforated by rectangular openings, below which is a sharply protruding circular raised band. Traces of rotation and water smoothing are visible on the body and stem of the cup.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 59]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.169A&B
A burial set of various pieces of glazed porcelain.  Included are 15 plates, 16 bowls and 6 lids.  All pieces vary in width, depth, and color.
Korean (Korean (culture or style))
Burial Set (15 plates, 16 bowls and 6 lids)
17th century
Gift of Ok Ja Chang and the Chang Family
2009/2.79.1
A tall stoneware bowl with a short, tapered cylindrical base. The bowl itself curves into a flat bottom where it meets the foot-base.<br />
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The high iron content in the clay and glaze of this bowl produces a green-brown colour. In the Honam region (southwestern region including Jeollabuk-do and Jeollanam-do), the potters produced many vessels with celadon clay in the typical shapes of the white porcelain, thus resulting in the colors that resembles that of green celadon. This bowl is green-brown in color but has transparent glaze, giving it a very shiny surface. The entire foot was glazed, while there are eight sand spur marks on the foot rim. It was slightly deformed in the kiln, with the result the rim is not completely horizontal.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.195]
Korean (Korean (culture or style))
Footed Bowl
19th century
Gift of Ok Ja Chang and the Chang Family
2009/2.42
It has a flat round shaped-body and a rim in the shape of a hemisphere. The foot is small and low-rising. The shoulder is adorned with cloud.<br />
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This celadon oil bottle has a short neck and round body. A cloud design is incised on the shoulder of the bottle. The rim of the foot has three refractory spur marks. This is a good example of a Goryeo celadon oil bottle in terms of both glaze and form.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.130]<br />
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Korean (Korean (culture or style))
Small bottle with incised design
12th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1966/2.28
Thin-walled jar consisting of a base, globular body, and flaring neck. The piece is decorated with a bubbled design, and the base has evenly spaced rectangular cutouts. The body is incised with two narrow bands of combed wavy patterns that lay just below sets of two indented lines.<br />
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The long neck of this dark gray or yellow-gray, high-fired stoneware jar with a pedestal splays outwards in a straight line. The rim of the jar is narrow and flat, while the neck is divided into two sections by a set of three narrow, sharp and horizontal ridges. The lower neck section features a wave design that was produced using a five-tooth comb. The body is widest towards its upper-middle part, above which is located a single laterally incised line. A wave design has been applied using a three-tooth comb 1.5cm below this line. The pedestal is short, curves slightly outwards and features five square perforations. Overall, the jar is poorly fired, resulting in surface bubbles. The lower part of the jar features a p
Korean (Korean (culture or style))
Pedestal Jar with Long Neck
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.175
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