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Results for terms:Iranian

70 UMMA Objects (page 1/6)
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This glazed plate is attributed to the Safavid period in Iran. The interior decoration consists of yellow splashes on a glossy red-brown glaze. 
Iranian (Iranian)
Plate with deep red-brown glaze spashed with yellow (cracked)
1600 – 1899
Museum Purchase
This dish contains incised floral decoration and was made with white slip with purple and turquoise underglaze, and finally glazed in a very light transparent blue. The bowl has been glued together in three pieces around the rim, with restoration also evident around the rim. 
Iranian (Iranian)
Shallow bowl with bands of turquoise glaze and central floral pattern
17th century
Transfer from the College of Architecture and Design
The unglazed ewer consists of two parts: a bulbous body with narrow, well-defined foot ring and short columnar neck; and a spout joined in the form of an anmial's head. A handle extends from the base of the head to the shoulder of the body. Around the upper part of the body runs an Arabic verse in Naskhi script. The moulded relief inscription is set against a background of floral scrolls. The meter is Tawil: (translated) Behold, poverty hopes for wealth, while wealth fears poverty." The verse appears in the 'Iqd al-Farid, compiled by Ibn 'Abd Rabbihi, who attributes it to 'Ali. The column above the body narrows to form a shoulder, on which the head has been set. The head is a cone, the narrow end of which serves as the animal's nose and has a small hole for pouring out the contents of the ewer. Over the base of the cone jut two pointed ears. Two loops are fastened below them to the shoulder of the neck. Small discs, serving as eyes, have been applied in the front of the ears. The hole for insertion of the liq
Iranian (Iranian)
Squat bottle with everted rim
17th century
Museum Purchase
This star-shaped ceramic tile is decorated with floral patterns and shapes. This kind of tile seems to be very popular in the 15th and 16th centuries of the Iranian Islamic world. The relief decoration is moulded and unglazed while the ground is glazed in blues with black underglaze and covered with a clear overglaze. 
Iranian (Iranian)
Star-shaped tile with molded floral design
1400 – 1599
Transfer from the College of Architecture and Design
Probably from the Iranian region of Rizaiyyah Plain (Urmia), this ceramic pitcher contains a lateral tube spout. It is unglazed.
Iranian (Iranian)
Pitcher with extended spout
Museum Purchase
This Qajar dish features three separate compartments and highly decorated exterior panels. Each side of the dish is decorated with a pair of young female faces that alternate with abstract deep blue designs. The interor panels lack decoration aside from the bases of each compartment which contain blue painted floral sprays. The craftmanship of the dish finds roots in the Kashan tradition of the 12th and 13th centuries, making it a testament to the continuation of traditional techniques in the region by the 19th century. 
Iranian (Iranian)
Shallow open box with three compartments, adorned with women's faces
19th century
Museum Purchase
This Persian manuscript leaf is attributed to the 17th century Safavid period. Its format consists of two sections of calligraphy and a miniature (painted scene) in the middle. The painted scene features a grassy landscape with a mounted soldier and two standing figures. 
Iranian (Iranian)
Faramurz taken Prisoner, Shah-nameh of Ferdowski
17th century
Gift of Dr. Richard Ettinghausen presented in honor of Professor Oleg Grabar
Baked clay plate with vegetal motif. Paste is a gray-white porcelain, glaze is glossy with a few cracks. The plate was fired upright and contains cobalt on light gray-white colors. The plate is attributed to Kerman of the Safavid period. The swirling treatment of the vegetal forms reflect the Persian adaptation of Chinese wares that occured in this area. Also attributed to Kerman is the dark blue color used to define the painted areas without the hardegded precision of other production centers.
Iranian (Iranian)
Plate with vegetal design
1600 – 1799
Museum Purchase
A 14th century Mongol period pharmacy jar from the Sultanabad region. The albarello is a contracted cylinder with a converging neck and has a conventionalized inscription with a stag and gazelle design. Floral designs fill the space while the lower body is fluted. All the decorative patterns were done in low relief. Paste is a light tan "Islamic II", while the glaze is glossy with fine crackle. The object was fired upright. Colors include heavy iridescent patina, gray-green, light grayish-white ground and light purplish gray. The object has been restored. 
Iranian (Iranian)
Albarello (Pharmacy Jar)
14th century
Museum purchase
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Sikandar Builds a Barrier Against Yajuj and Majuj</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
Iranian (Iranian)
Sikandar Builds a Barrier Against Yajuj and Majuj, from the Shahnama of Firdausi
1455 – 1465
Museum Purchase
This bowl was modeled on a Chinese vessel of the late 16th century. Below the foliate rim there are six panels with horses in reseve against a background of waves and clouds. Following the system used on Chinese vessels the horses facing different directions are placed in alternation around the bowl. Small tassels hang from the center of each panel, but otherwise the middle zone of the exterior is free of decoration. Overlapping petals are found just above the foot. The internal decoration consists of a floral spray in the foot and eight half-medallions on the rim separated by eight tassels hanging from the rim. <br /><br />
Chinese (Chinese (culture or style))
Bowl with foliate Rim
17th century
Museum Purchase
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