14 UMMA Objects
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A print featuring an overlay of images including blue classical statues and chairs, a green goat, and a yellow man next to a Buddhist statue. 
Robert Rauschenberg (American (North American))
Intermission
1996
Bequest of Gertrude Kasle
2016/2.109
A bearded man, wearing majestic red robes with a large ermine collar and a green turban surmounted by a crown, sits on a throne at left. He leans forward, holding a long thin scepter in his right hand while touching his chest with his left. Before him stand two women supporting a third, who has fainted. This third woman wears a splendid blue robe ornamented with a row of opulent clasps, a luxurious golden cloak lined with pink fabric, and a crown that seems to tilt precariously on the back of her head. The man looks intently into the face of the fainted woman, while the two women, in turn, watch his expression closely.
Guercino (Giovanni Francesco Barbieri)
Esther before Ahasuerus
1639
Museum Purchase
1963/2.45
This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />
Willem Claesz Heda
Vanitas (Still Life), with globe, skull, candle, tazza, and covered cup
1633 – 1635
Museum Purchase
1965/2.55
This photograph depicts a view of a palatial structure with long colonnaded arcades at its base.  In the piazza in the foreground two men stand in conversation next to a tall column with a statue of a lion on top.
Carlo Ponti (Italian (culture or style))
Palazzo dei Dogi o ducale; veduta generale
1860 – 1870
Gift of Mr. and Mrs. W. Howard Bond
1989/1.52
This photograph depicts a view of a church interior looking towards the high altar. In the walls and dome of the chapel are windows through which sunlight shines.
Carlo Ponti (Italian (culture or style))
Interno della Chiesa di S. Marco, Navata principale
1860 – 1870
Gift of Mr. and Mrs. Wm. B. Becker
2012/2.173
This photograph depicts a view of a row of old buildings, the central structure housing a large clock face. This building's façade is adorned with sculptures and atop its roof is a large bell flanked by two bronze statues.
Carlo Ponti (Italian (culture or style))
Torre dell'Orologio
1860 – 1870
Gift of Mr. and Mrs. Wm. B. Becker
2012/2.170
This photograph depicts a view of a courtyard inside the walls of an ornate, palatial building. The figures of two men stand around a well-head, while a third man in uniform watches from a distance.
Carlo Ponti (Italian (culture or style))
Corte del Palazzo Ducale (Veduta generale)
1855 – 1870
Gift of Mr. and Mrs. Wm. B. Becker
2012/2.171
This photograph depicts a wide, ariel view of a city situated on thin strips of land with wide canals running between them. On the central island is a large white church and a wharf with a docked fleet of boats.
Carlo Ponti (Italian (culture or style))
Panorama del Campanile di S. Marco verso S. Maria della Salute (Sud-Ouest)
1860 – 1870
Gift of Mr. and Mrs. Wm. B. Becker
2012/2.172
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Carlo Ponti (Italian (culture or style))
Ponte dei Sospiri
1855 – 1870
Gift of Margaret and Howard Bond
1995/1.73
This photograph depicts a procession of a large, ox-drawn cart covered in flowers in an Italian city. Gathered around the cart are a group of dark-suited men.  
Carlo Brogi
Firenze - Il Carro del Sabato Santo
1881 – 1896
Gift of Mr. & Mrs. W. Howard Bond
1986/1.150
This image depicts a scenic view of three bridges spanning a river that runs through the medieval city of Florence.
Giacomo Brogi (Italian (culture or style))
Firenze, Veduta dei Ponti
1875 – 1890
Gift of Howard and Margaret Bond
1993/2.60
This photograph depicts a view of a marble covered bridge spanning the width of a city canal.  Along the embankments are a series of gondolas and a few seated men.
Carlo Ponti (Italian (culture or style))
Rilato Bridge, Venice
1870 – 1880
Gift of Mr. and Mrs. W. Howard Bond
1987/1.343
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