Exchange: W20 Burde - RCHUMS 201 - How to Think with Words

W20 Burde - RCHUMS 201 - How to Think with Words

On a vertically-oriented page, with printed image extending to the borders of the page, there are various scenes and images combined together. There are two main registers. On the bottom, there is a collaged image of a woman putting on lipstick at the beach, and the rear end of a classic car to the right. To the left, there are two smaller frames: on top there is an urban street scene collaged with demolished cars, and on the bottom there is a single scene of a fashion office orstudio with three women. In the top register, there are four main frames. On the right, the largest scene in the print, there is an image of a soldier with a handgun collaged with an image of a small child with a soldier's helmet on his head. The boy holds a bucket. To the left, there are three smaller images, each showing a man and a woman in varying degrees of fancy dress. The overall scene is printed in a vibrant orange color.

Sir Eduardo Paolozzi
Pig or Person, it's the same, Fortune plays a funny game
photolithograph on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick

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Photolithographic print in pink, orange, white and yellow with a face of a woman at the top and horizontal stripes then a grid at the bottom. The woman has metal curlers in her hair and a cosmetic face mask on, which is pink, in contrast to the orange image.

Sir Eduardo Paolozzi
Astute sizing up perfume trends
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick

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This is a line drawing on white paper a ladder in the center, with the word "Mother" below it followed by the copyright symbol.

Jean-Michel Basquiat
Mother©
crayon on paper
24 in x 18 in (61 cm x 45.7 cm)
Gift of Arthur Cohen in honor of Ben and Yetta Cohen

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This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Jean-Michel Basquiat
A Lie
colored crayons on paper
24 in x 18 in (60.96 cm x 45.72 cm);24 in x 18 in (60.96 cm x 45.72 cm);28 in x 23 in (71.12 cm x 58.42 cm)
Gift of Arthur Cohen in honor of Ben and Yetta Cohen

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This painting has a still life scene with bowl of fruit on a table. There is a pale blue background and silver border, outlined and decorated in black. A figure of a man comes from the right side; he looks towards the bowl. Along the top, above the bowl of fruit, text reads "Bowl o' Fruit." The print is initialed by the artist in black (l.r.) "RG".

Rodney Alan Greenblat
Bowl o' Fruit
ink, pastel, and pigment on paper
20 1/8 in x 26 1/8 in (51.12 cm x 66.36 cm);20 1/8 in x 26 1/8 in (51.12 cm x 66.36 cm)
Gift of Jack A. and Noreen Rounick

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A collage drawing with "When was the future?" in the middle of the object. The words are cut out of pictures of trees and a city's skyline. The background of the collage is the view of of a tall building and a cutout of a youth doing a handstand is placed on the balcony. A picture of a tree is included by the person.

Jakob Kolding
When was the future?
collage on paper
16 9/16 in. x 11 11/16 in. ( 42 cm x 29.7 cm )
Museum Purchase

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Joan Snyder
Art and the Nature of Grief
monoprint on paper
38 7/8 x 25 13/16 in. (98.7 x 65.5 cm);41 5/16 x 28 5/16 in. (104.78 x 71.76 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund

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This print has a black background with seven gears of various sizes floating in the blackness. There are three softer greyish ones clustered togther at top of print, three shiny ones on the bottom. Both of these clusters have their gear teeth on the exterior circumference. The last large gear in the center has the gear teeth on the interior of the circumference. There is a golden yellow object within the center gear; and the word "DANCER" is near top of print where the "C" intercepts the large gear, making it possible to read it as "Danger."

Man Ray
Danger--Dancer ILXT
photolithograph on paper
23 3/8 in x 15 3/16 in (59.3 cm x 38.5 cm);28 1/16 in x 22 1/16 in (71.28 cm x 56.04 cm);23 5/16 in x 15 1/4 in (59.25 cm x 38.7 cm);18 11/16 in x 10 13/16 in (47.5 cm x 27.5 cm)
Gift of the Marvin Felheim Collection

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Lesley Dill
White Poem Figure (The Soul Has Moments of Escape)
unique gelatin silver print on paper
19 15/16 in x 16 in (50.64 cm x 40.64 cm);28 3/16 in x 22 ¼ in (71.6 cm x 56.52 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund

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This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45".

Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase

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Wooden box with a keyhole cut through center of piece encircled with copper-colored paint and two large copper screw-heads on golden-yellow background; the word “KEY” painted in white letters at bottom<br />

Joe Tilson
Key Box
copper and paint on wood
19 1/4 in. x 13 1/8 in. x 4 in. ( 48.9 cm x 33.3 cm x 10.2 cm )
Gift of the Lannan Foundation in Honor of the Pelham Family

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Mark Tobey
Broadway Melody
tempera on board
33 in x 26 in (83.82 cm x 66.04 cm);33 in x 26 in (83.82 cm x 66.04 cm);23 ¼ in x 17 in (59.06 cm x 43.18 cm)
Gift of Mr. and Mrs. Roger L. Stevens

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