W15 Beckman - ENGLISH 124 - The Art of Absence
English 124
The Art of Absence
Mary Beckman
In this writing and literature course, we will study works in which absence is central — works that deal with, in both form and content, loss, lack, anonymity, silence, what's missing, what's unsaid.
We'll consider the work of a spectrum of artists and writers — from Patrick Modiano to Alison Bechdel to Ana Mendieta — in a wide variety of genres — fiction, poetry, photography, film, music, etc. Questions we'll ask: How can absence serve to launch a narrative? How do authors and artists communicate via omission? How does the absent entity — be it a person, place, or thing — become, paradoxically, a charged presence in the text?
In this class, you will write analytical and reflective essays designed to introduce you to key craft concerns of college writing as well as provide you the opportunity to think deeply about the course's topics and texts. We will pre-write, draft, collaboratively workshop, and revise complex arguments that help us understand our texts, our topic, and our own experiences in new ways.
Edda Renouf
Continuous
acrylic on canvas
16 3/8 x 16 3/16 in. (41.5 x 41 cm)
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
Todd Hoyer
Three Gold Rings, from Ringed Series
eucalyptus, imitation gold leaf
11 7/16 x 7 1/2 x 7 1/2 in. (29 x 19 x 19 cm);11 7/16 x 7 1/2 x 7 1/2 in. (29 x 19 x 19 cm)
Gift of Robert M. and Lillian Montalto Bohlen
John Dugdale
Smile For Your Lover Comes (Stone Ridge, New York)
cyanotype on paper
15 1/4 in x 13 5/16 in x 2 1/4 in (38.74 cm x 33.81 cm x 5.72 cm);15 1/4 in x 13 5/16 in x 2 1/4 in (38.74 cm x 33.81 cm x 5.72 cm)
Museum Purchase made possible by the Harry Denham Trust
Max Pechstein
The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
woodcut with hand-coloring on paper
23 ½ in x 16 ¼ in (59.69 cm x 41.28 cm);28 ⅛ in x 22 in (71.44 cm x 55.88 cm)
Museum Purchase
Harry Callahan
Cape Cod
gelatin silver print on paper
11 in x 14 in (28 cm x 35.56 cm);16 in x 20 in (40.64 cm x 50.8 cm);11 1/8 in x 14 in (28.2 cm x 35.6 cm)
Museum Purchase
Bruce Davidson
Untitled (Child with a Doll Carriage), from "Welsh Miners"
gelatin silver print on paper
16 in x 19 15/16 in (40.64 cm x 50.64 cm)
Gift of Mr. and Mrs. Douglas M. Kenyon
Jean-Michel Basquiat
A Lie
colored crayons on paper
24 in x 18 in (60.96 cm x 45.72 cm);24 in x 18 in (60.96 cm x 45.72 cm);28 in x 23 in (71.12 cm x 58.42 cm)
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
Edward Hopper
Night Shadows
etching on Van Gelder wove paper
10 ¾ in x 13 13/16 in (10 ¾ in x 35.08 cm)
Gift of Dr. & Mrs. S.J. Axelrod
Hana Hamplová
Untitled
gelatin silver print on paper
23 1/16 in x 23 1/8 in (58.58 cm x 58.74 cm)
Gift of Mrs. Marion Hrebek Keys
Francisco José de Goya y Lucientes
The sleep of reason produces mosters (El sueño de la razon produce monstruos)
etching and burnished aquatint on paper
12 in x 8 in (30.48 cm x 20.32 cm);7 7/16 in x 4 11/16 in (18.89 cm x 11.91 cm);8 1/2 in x 5 7/8 in (21.59 cm x 14.92 cm)
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
Sally Mann
Battlefields, Manassas (Lumpy Cedar)
varnished gelatin silver print on paper
40 in. x 4 ft. 2 1/16 in. (101.6 x 127.16 cm);40 1/2 in. x 4 ft. 2 11/16 in. (102.87 x 128.75 cm)
Museum purchase made possible by the W. Hawkins Ferry Fund