11 UMMA Objects
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This vertical composition consists of tall, thin trees in the foreground, with a lone boatman floating beneath and behind them. As the scene stretches upwars, mountains take up a dominant position in the picture, stretching toward the sky. Above them is calligraphic text.
Zha Shibiao (Cha Shih-piao)
Cloudy Mountains and Misty Trees, after Dong Yuan
1650 – 1699
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1975/1.73

Italian
Velvet
1650 – 1699
The Paul Leroy Grigaut Memorial Collection
1972/2.344D
This hour-glass shaped stool is supported by two caryatid figures who sit in a pose of lamentation—crouched with head in hands. Scarified patterned abstracted tears spill from their lower eyelids. Brass studs adorn the perimeter of the stool’s seat, base, and figures. Both figures wear strings of black, red and white beads around their necks.
Chokwe (Chokwe (culture or style))
Caryatid stool
1850 – 1899
Gift of Candis and Helmut Stern
2005/1.204

Italian
Cisele Velvet
1650 – 1699
The Paul Leroy Grigaut Memorial Collection
1972/2.288
This hanging scroll depicts a female figure sitting against a blank background. She wears multiple layers of kimono. Her hair is black and long, and her face white. She is watching a spider, descending from ceiling; her arms are extending in front as if she is trying to catch it. A screen of white and brown fabric is on her right, and an oil lamp with flame is on the other side. Three rolls of paper are placed in front of her. The artist's signature and seal are on the left lower corner.<br /><br />
The painting is mounted on light blue brocade with designs of auspicious characters and objects, including treasures, double gourds, and the character for “longevity". The sides are made of golden brocade, but the gold foil is almost worn out.<br /><br />
Warm holes on the upper right side, some small stains and dark lines on the top and near the face of the figure. Two repaired damages on the lower right corner. Some warm holes on the mounting as well. The wooden scroll bar is black lacquered.
Tosa Mitsuoki (Japanese (culture or style))
Portrait of Princess Soto'ori
1650 – 1699
Gift of Mr. and Mrs. Province M. Henry
1955/1.262

Italian
Velvet
1650 – 1699
The Paul Leroy Grigaut Memorial Collection
1972/2.344A
A man in humble attire, shown in three-quarter view, is seen kneeling at the left side of the image; his hands are clasped in front of him in prayer. At the lower right is a sleeping lamb nestled into a schematically rendered background.
Luca Giordano (Italian (culture or style))
Kneeling Shepherd
1650 – 1699
Joseph F. McCrindle Collection
2009/1.501

Dutch
Plate, with floral motifs
1650 – 1699
Museum Purchase
1966/2.7
Blue glazed roof tile from the Temple of Heaven, Beijing. It has five rising vertical swirls and a thick base.
Chinese (Chinese (culture or style))
Blue glazed roof tile from the Temple of Heaven, Beijing
1650 – 1799
Gift of Dr. and Mrs. Peter Greiner
1979/2.5
This sheet is dominated by the head of an old man with a voluminous beard, seen in 3/4 view, with head turned to the figure's left. Grey tones dominate the drawing, and the suggestion of the man's hunched shoulders in the background increases the sense that he is leaning his head towards the viewer.
Gaetano Gandolfi (Italian (culture or style))
Untitled (Head of an Old Man with a Long Beard)
1750 – 1799
Joseph F. McCrindle Collection in memory of Frederick A. den Broeder
2009/1.496

Italian
Velvet
1650 – 1699
The Paul Leroy Grigaut Memorial Collection
1972/2.344B
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