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77 UMMA Objects
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Jane C. Stanley
Campo San Zaccaria, Venice
1863 – 1940
Bequest of Margaret Watson Parker
1954/1.240

Jane C. Stanley
Venice from the Lido
1863 – 1940
Bequest of Margaret Watson Parker
1954/1.241

Albert Kahn (American (North American))
Giants Stairs, Venice
03/27/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.431

Albert Kahn (American (North American))
Venetian Well
03/30/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.438

Albert Kahn (American (North American))
Well near S. Giovanni and Paolo, Venice
04/08/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.446

Albert Kahn (American (North American))
Palazzo Zorzi Venice (from photograph)
1869 – 1942
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.481

Otto Bacher
Zattere, Venice (Zattieri)
1880
Gift of Mrs. Charles F. Weber
1977/2.144

Albert Kahn (American (North American))
Vestibule St. Mark's Venice
04/13/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.697
A deep covered passageway dominates the composition. At the near end of the passage, to the right side, stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
James Abbott McNeill Whistler (American (North American))
The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.382
A long street recedes at the center of the image. In the center is a flagpole surmounted by a winged lion (symbol of St. Mark, and therefore of Venice). In the foreground at lower left is a group of women seated working together making lace. Other than a man and boy at the right of the flagpole, the street is largely empty.
James Abbott McNeill Whistler (American (North American))
The Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.383

Fratelli Alinari
Venice - Grand Canal
1854 – 1920
Gift of W. Howard and Margaret Bond
1991/1.102
Seen from the water's edge, a canal in the foreground curves to the right and back into space. In the ditant view, buildings with balconies and chimney pots are visible as well as a bridge that is cropped by the curve of the waterway. In the foreground, across the canal, are several arched entryways. A dark waterdoor is open and shows a man on the steps and two shadowy figures behind him framed in the doorway; a lantern hangs overhead. To the right, another arched doorway with a metal grille above faces the canal, but is closed. A small open window on the seond floor can be seen between the arched doors.
James Abbott McNeill Whistler (American (North American))
Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.381
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